Experiencing a total solar eclipse is an unforgettable event that can make us feel as if we’re in the presence of a divine power or transport us to a different world. I’ve been fortunate enough to witness this incredible phenomenon twice. The second time was with my family in Molalla, Oregon, on August 21, 2017, and it’s a memory I’ll cherish for the rest of my life.
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I held the cold cup of milkshake from Cranford Vanilla Bean Creamery, looking over at my wife, Jan, who sat beside me in the hospital room. The milkshake tasted terrific, but Jan had already expressed that she couldn’t drink. Trying to conceal my emotions, I observed her closely, knowing what would happen at 3 pm today. We were sitting in the familiar Overlook Hospital, a place I knew so well that I could navigate without asking for directions. Visitors even came to me for help. It was a reality I never imagined that my beloved wife would fall ill and that we would spend so much time in hospitals. Due to the COVID-19 restrictions, I couldn’t leave the room, so I offered to call the nurses’ station. Waiting was the only option, forcing me to chat with Jan as if everything would be OK. Despite the hard truth I knew, she did not.
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Following numerous sleepless nights, I experienced an overwhelming sense of mental and physical exhaustion. My body was weary, and I could not provide my wife, Jan, with the necessary assistance to get to the bathroom. The constant strain had also left my back in excruciating pain. Although the county police had been kind enough to aid us overnight, Jan was reluctant to seek help from our son, Mike. Faced with no other option, I took the initiative to contact Mike without seeking Jan’s approval.
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I have always had a fondness for flowers, even though I may have unintentionally killed more of them by underwatering or neglect than those that have survived under my care. However, my indoor plants are doing well as I approach my second anniversary of living in Apartment 3B. I have been buying and placing bouquets on the counter before my sink. When I return home, seeing these small and beautiful flowers greeting me is a welcoming sight.
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by Benjamín Labatut
Today, I began reading When We Cease to Understand the World by Benjamín Labatut, translated by Adrian Nathan West. This book, listed on The New York Times 100 Best Books of the 21st Century, promises to be thought-provoking as it delves into the intricate connections between scientific and mathematical discovery, madness, and destruction.
In a world where scientific advancements often involve ethical dilemmas and societal implications, this book offers a unique perspective on the lives of scientists who have shaped our understanding of the world. Fritz Haber, Alexander Grothendieck, Werner Heisenberg, and Erwin Schrödinger are some of the luminaries whose troubled lives Benjamín Labatut deeply explores in his fictional examination. Labatut shows how these scientists and thinkers grappled with profound questions of existence, experiencing strokes of unparalleled genius, alienating friends and lovers, and descending into isolation and insanity. Their discoveries, some of which significantly improved human life, while others led to chaos and unimaginable suffering, continue to shape our world.
With a breakneck pace and a wealth of disturbing detail, Labatut uses fiction’s imaginative resources to tell the stories of the scientists and mathematicians who expanded our notions of the possible.
by Mark Kramer
I started reading Borscht Belt Boy: Recollections of a Hotel Brat by Mark Kramer today. The book is the story of a young man who grew up in the heyday of the Borscht Belt. The author sent me a copy when I shared my 2023 reading accomplishments. I found joy in reading his memoir as the author, and I are almost the same age.
The author, the son of a Catskills Mountain resort hotel owner, describes his experiences growing up when hotels, bungalow colonies, and sleep-away camps were booming. Learn about the characters that populated this world, from the kids who worked in the dining rooms, the handymen recruited from the Bowery, to the chefs and maitre d’s.
Enjoy the author’s humorous description of the different kinds of people who summered in the mountains. Read fascinating tales of entertainers, including Buddy Hackett and Lenny Bruce’s experiences at the family hotel. There is a brief history of Catskills’ institutions, how the influx of Jews changed the landscape, and how the resort trade influenced race, religion, and class.
This lighthearted memoir will return fond memories to those who visited the Borscht Belt in their youth and enlighten those not lucky enough to have shared this particular time and place in history.
The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Regarding gifts made this month, I will match dollar for dollar. All donations are tax-deductible.
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by Emily Henry
Today, I began reading Emily Henry‘s Funny Story, a delightful new novel about a pair of opposites connected by an unexpected bond. It was featured in The New York Times 100 Notable Books of 2024. The narrator, Daphne, finds herself single after being dumped following her fiancé’s bachelor party, and she ends up moving in with her ex-fiancé’s former boyfriend.
Daphne always enjoyed how her fiancé, Peter, told their love story: they met on a blustery day, fell in love over an errant hat, and moved back to his lakeside hometown to start their life together. He was great at telling their story—until he realized he was in love with his childhood best friend, Petra.
This is where Daphne begins her new chapter: stranded in beautiful Waning Bay, Michigan, without friends or family, but with a dream job as a children’s librarian (which barely pays the bills). She proposes to room with the only person who might understand her situation: Miles Nowak, Petra’s ex.
Miles is scruffy and chaotic, finding comfort in the sounds of heartbreak ballads. He is the opposite of practical, buttoned-up Daphne, whose coworkers know so little about her that they have a running bet whether she is in the FBI or witness protection. The two roommates initially avoid each other, but one day, while mourning their circumstances, they develop a fragile friendship and devise a plan. Their plan includes posting misleading photos of their summer adventures together—who could blame them for wanting to create a better story?
But it’s all just for show, of course, because there’s no way Daphne would start this new chapter by falling in love with her ex-fiancé’s new fiancée’s ex… right?
by Kaveh Akbar
Today, I started reading “Martyr! A Novel” by Kaveh Akbar, the last of one of the five finalists for the 2024 National Book Award for Fiction I have read. This is also the 79th book I have read this year, surpassing my record from last year. Kaveh Akbar‘s “Martyr!” is a tribute to our pursuit of meaning in faith, art, ourselves, and others. The story follows Cyrus Shams, the newly sober, orphaned son of Iranian immigrants.
He is guided by the voices of artists, poets, and kings as he embarks on a search for a family secret, which leads him to a terminally ill painter living out her final days in the Brooklyn Museum.
Cyrus Shams, our protagonist, grapples with an inheritance of violence and loss. His mother’s tragic death and his father’s limited life in America have left him with scars. He’s a drunk, a person with a substance use disorder, and a poet, but above all, he’s a human being on a journey of self-discovery. His fascination with martyrs leads him to explore the mysteries of his past, including his uncle’s inspiring yet haunting role on Iranian battlefields and a painting that suggests his mother may not have been who or what she seemed.
“Martyr!” is a novel that’s not just electrifying and funny but also wholly original. It’s a testament to Kaveh Akbar‘s unique storytelling and heralds the arrival of an essential new voice in contemporary fiction. Get ready to be captivated by his narrative prowess.
by Diane Oliver
Today, I began reading Diane Oliver‘s Neighbors and Other Stories. It’s a powerful and eerie debut collection of stories that portrays the struggles of different characters as they face the everyday dangers of racism during the Jim Crow era. The book features an introduction by Tayari Jones.
Diane Oliver is an important yet often overlooked figure in African American literature of the 20th century. She was a gifted writer, ahead of her time, whose talent was cut short by her untimely death at 22 in 1966. Nevertheless, she left behind a remarkable collection of crisply written and often chilling tales that delve into race and racism in America during the 1950s and 60s. Oliver’s insightful stories remain relevant today; this is the only existing collection of her works. She has rightfully earned her place in the literary canon as a masterful storyteller.
The passage below describes several short stories with different themes. The first story, “The Closet on the Top Floor,” tells the story of Winifred, the first Black student in a newly integrated college. In this story, Winifred begins to disappear, creating a nightmarish scenario. The second story is titled “Mint Juleps not Served Here.” It’s about a couple who live deep in a forest with their son. They will go to bloody lengths to protect him from any danger. The third story, “Spiders Cry without Tears,” features a couple named Meg and Walt. They must confront prejudices and strains of interracial and extramarital love. Finally, the last story is the titular one, and it’s a high-tension narrative that follows a nervous older sister the night before her younger brother is set to desegregate his school.
These are powerful and personal depictions of African American families‘ everyday struggles and moments of distress, illustrating how they utilize their abilities to overcome challenges. “Neighbors” is an enthralling compilation and a valuable historical and social document, displaying the remarkable literary skills of a previously overlooked author.
by Various Writers Under 40
The New Yorker’s collection of short stories – 20 Under 40 – is a collection of twenty writers “whose work will help define the future of American letters.”
Some of these I had read in The New Yorker and others I had missed. Either way, they were a pleasure to read.
As The New Yorker wrote,
The range of voices is extraordinary. There is the lyrical realism of Nell Freudenberger, Philipp Meyer, C. E. Morgan, and Salvatore Scibona; the satirical comedy of Joshua Ferris and Gary Shteyngart; and the genre-bending tales of Jonathan Safran Foer, Nicole Krauss, and Téa Obreht. David Bezmozgis and Dinaw Mengestu offer clear-eyed portraits of immigration and identity; Sarah Shun-lien Bynum, ZZ Packer, and Wells Tower offer voice-driven, idiosyncratic narratives. Then there are the haunting sociopolitical stories of Chimamanda Ngozi Adichie, Daniel Alarcón, and Yiyun Li, and the metaphysical fantasies of Chris Adrian, Rivka Galchen, and Karen Russell.
Each of these writers reminds us why we read. And each is aiming for greatness: fighting to get and to hold our attention in a culture that is flooded with words, sounds, and pictures; fighting to surprise, to entertain, to teach, and to move not only us but generations of readers to come. A landmark collection, 20 Under 40 stands as a testament to the vitality of fiction today.
I recommend this collection of short stories.
