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Today, I dove into “Wild Dark Shore” by Charlotte McConaghy, a captivating novel that The New York Times hailed as one of the must-reads for this spring. The story unfolds on a remote island, where a family’s tranquil life changes with the arrival of a mysterious woman who washes ashore just as a tempest brews on the horizon. With secrets and storms looming, I can already feel the tension building—this promises to be a thrilling read!

Dominic Salt and his three children are caretakers of Shearwater, a tiny island not far from Antarctica. Home to the world’s largest seed bank, Shearwater was once full of researchers, but with sea levels rising, the Salts are now its final inhabitants. Until, during the worst storm the island has ever seen, a woman mysteriously washes ashore.

Isolation has taken its toll on the Salts, but as they nurse the woman, Rowan, back to strength, it begins to feel like she might just be what they need. Long accustomed to protecting herself, Rowan starts imagining a future where she could belong to someone again.

But Rowan isn’t telling the truth about why she set out for Shearwater. And when she discovers sabotaged radios and a freshly dug grave, she realizes Dominic is keeping his secrets. As the storms on Shearwater gather force, they all must decide if they can trust each other enough to protect the precious seeds in their care before it’s too late—and if they can finally put the tragedies of the past behind them to create something new together.

Wild Dark Shore is a novel of breathtaking twists, dizzying beauty, and ferocious love about the impossible choices we make to protect the people we love, even as the world disappears.

Charlotte McConaghy is a New York Times bestselling author of the novels Wild Dark Shore, Once There Were Wolves, and Migrations, which have been translated into over twenty languages. She is currently based in Sydney, Australia.

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I embarked on the journey of reading “Within Arm’s Reach: A Novel” by Ann Napolitano today. This poignant and insightful debut novel from the esteemed New York Times bestselling author of “Hello Beautiful” unfolds the story of a large Catholic family spanning three generations whose lives are upended by an unforeseen pregnancy.

“Within Arm’s Reach” is a compelling novel crafted by Ann Napolitano, a bestselling author. The book powerfully captures our profound connections with loved ones, a theme that resonates universally, even when we struggle to express our emotions. The narrative, set in the context of an Irish American family spanning three generations, is a testament to the author’s skill in addressing deeply human themes. It’s another profoundly satisfying narrative from the author who previously explored grief in “Dear Edward” and the unbreakable bonds of sisterhood in “Hello Beautiful.”

Today, I began reading Monkey Grip: A Novel by Helen Garner. It’s a book that launched the career of one of Australia’s most celebrated writers. The story follows the infatuations of a young, single mother fascinated by the excesses of Melbourne’s late-70s counterculture. Monkey Grip is a seminal novel about Australia’s turbulent 1970s, including communal households, music, friendships, children, love, drugs, and sex.

Helen Garner is a renowned novelist, short-story writer, and journalist. She’s best known for her frank, unsparing, and intricate portrayals of Australian life, often drawn from the pages of her journals and diaries. A new US edition of her debut novel, which establishes Garner’s masterful and quietly radical literary voice, is now available.

The novel is set in Australia during the late 1970s and tells the story of Nora, a single mother and writer. Nora navigates Melbourne’s bohemian underground with her young daughter, Gracie, in tow. Nora falls in love with Javo, a flighty man trapped in his addiction. As their relationship disintegrates, Nora struggles to wean off a love that feels impossible to live without.

When Monkey Grip was first published in 1977, it caused a sensation. Critics praised Garner for her craft, but many criticized her gritty depictions of the human body, frankness about sex and drugs, the mess of motherhood, and her unabashed use of her own life as inspiration. Today, such criticism feels old-fashioned and glaringly gendered, and Monkey Grip is considered a modern masterpiece.

American Dirt by Jeanine Cummins is one of the best books I have read this year.

American Dirt is a “cross-genre novel that combines elements of a commercial thriller, literary fiction, suspense, and romance.” American Dirt refers to the land that is the United States of America and to the difficulty undocumented migrants face both before and after crossing the border.

According to SuperSummary,

Lydia Quixano Pérez, a bookstore owner in Acapulco, saves her son Luca from a massacre that wipes out their entire family at a quinceañera cookout. The perpetrators are three sicarios, killers for Los Jardineros, a violent local cartel. Javier Crespo Fuentes, Lydia’s close friend and the jefe of Los Jardineros, ordered the hit in retaliation for an exposé written by Lydia’s husband, a journalist named Sebastián Pérez Delgado. Javier’s murderous rage stems not from the article itself, but from the impact it has on his daughter, Marta, who commits suicide when she learns of her father’s true identity. Lydia and Luca spend the rest of the novel running from Javier’s men, encountering a diverse cast of migrants along the road to the US.

I read the book at the same time that Haitian migrants were being deported at the border. Ms. Cummins writes passionately about the plight of migrants and the difficulties they face as they seek a new life in the US. This book highlighted this to me in ways that I understood intellectually but not emotionally.

Ms. Cummins refers to a sign she saw in Spanish in Tijuana while she was researching this book:

También de este lado hay sueños.

On this side, too, there are dreams.

All of our ancestors were migrants, and they all had dreams of a better life. We need to find a better way to help those who now have goals find a home so that their hopes for a better future can come true.

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Short Stories that Will Define the Future of American Letters

The New Yorker’s collection of short stories – 20 Under 40 – is a collection of twenty writers “whose work will help define the future of American letters.”

Some of these I had read in The New Yorker and others I had missed. Either way, they were a pleasure to read.

As The New Yorker wrote,

The range of voices is extraordinary. There is the lyrical realism of Nell Freudenberger, Philipp Meyer, C. E. Morgan, and Salvatore Scibona; the satirical comedy of Joshua Ferris and Gary Shteyngart; and the genre-bending tales of Jonathan Safran Foer, Nicole Krauss, and Téa Obreht. David Bezmozgis and Dinaw Mengestu offer clear-eyed portraits of immigration and identity; Sarah Shun-lien Bynum, ZZ Packer, and Wells Tower offer voice-driven, idiosyncratic narratives. Then there are the haunting sociopolitical stories of Chimamanda Ngozi Adichie, Daniel Alarcón, and Yiyun Li, and the metaphysical fantasies of Chris Adrian, Rivka Galchen, and Karen Russell.

Each of these writers reminds us why we read. And each is aiming for greatness: fighting to get and to hold our attention in a culture that is flooded with words, sounds, and pictures; fighting to surprise, to entertain, to teach, and to move not only us but generations of readers to come. A landmark collection, 20 Under 40 stands as a testament to the vitality of fiction today.

I recommend this collection of short stories.

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The Guest by Emma Cline is a highly recommended book, recognized as one of the top releases for May by The New York Times. At first, I assumed it was just another typical summer romance novel I usually don’t enjoy. However, I was surprised that it was unlike any other beach read I had encountered.

The protagonist, Alex, finds herself in a difficult situation after making a mistake at a dinner party in the East End of Long Island towards the end of summer. The man she’s been staying with dismisses her and sends her back to the city. With limited resources and a waterlogged phone, Alex decides to stay on Long Island and explore her surroundings. She wanders through exclusive neighborhoods and beaches, leaving a trail of destruction behind her.

According to The New York Times, Alex’s days and nights waiting for Labor Day might be “an entertaining series of misguided shenanigans interrupting the upper class’s summer vacation. However, under Cline’s command, every sentence is as sharp as a scalpel, portraying a woman who toes the line between welcome and unwelcome guest and becomes a fully destabilizing force for her hosts and the novel itself.

Although the book has no experience with themes, such as using sex to secure what she desires, as soon as I started reading it, I could not stop. Regardless of my unfamiliarity with the topics, I highly recommend The Guest.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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