Today, I started reading "Jaded: A Novel" by Ela Lee. The main character's name is Jade, which isn't even her real name. Jade began using it as her Starbucks name because all children of immigrants have a Starbucks name. "Jaded" is a must-read book for fans of "Queenie" and "I May Destroy You." It offers a blistering—and sometimes darkly funny—account of consent, power, race, sexism, and identity in a broken society.
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by Ela Lee
Today, I started reading “Jaded: A Novel” by Ela Lee. The main character’s name is Jade, which isn’t even her real name. Jade began using it as her Starbucks name because all children of immigrants have a Starbucks name. “Jaded” is a must-read book for fans of “Queenie” and “I May Destroy You.” It offers a blistering—and sometimes darkly funny—account of consent, power, race, sexism, and identity in a broken society.
Jade has accomplished everything she ever wanted.
She’s a successful lawyer, a dutiful daughter, a beloved girlfriend, and a loyal friend. However, everything starts to crumble when she wakes up the morning after a work event, naked and alone, with no idea how she got home. Jade is caught between her parents, who can’t understand, her boyfriend, who feels betrayed, and her job, which expects silence.
Jade thought she was everything she ever wanted to be. But now she feels like nothing at all.
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by Tony Tulathimutte
Today, I dove into Tony Tulathimutte‘s “Rejection: Fiction,” and I’m already captivated! This book was longlisted for the 2024 National Book Award in Fiction and named a New York Times Best Book of the Year. Tulathimutte, known for his award-winning work “Private Citizens,” weaves together a series of electrifying linked stories that keenly examine how rejection weaves its way into the lives and relationships of his deeply intertwined characters.
With sharp observations and outrageous humor, *Rejection* delves into the most sensitive issues of modern life. This collection of seven interconnected stories transitions smoothly between the personal crises of a complex cast of characters and the comic tragedies associated with sex, relationships, identity, and the internet.
In “The Feminist,” a young man’s passionate allyship turns into furious nihilism as he realizes, after thirty lonely years, that his efforts are not leading to romantic success or even getting laid; in “Pics,” a young woman’s unrequited crush spirals into obsession, systematically eroding her sense of self. “Ahegao; or, The Ballad of Sexual Repression,” depicts a shy late bloomer whose fumbling attempts at a first relationship result in a life-changing mistake. As these characters intersect through dating apps, social media feeds, dimly lit bars, and bedrooms, they reveal how our delusions can distort our desire for connection.
These brilliant satires examine the understated sorrows of rejection with a modern classic’s authority and a manifesto’s frenetic energy. Bold and unforgettable, Rejection is a striking mosaic that redefines what it means to face rejection from lovers, friends, society, and oneself.
by Helen Garner
Today, I began reading Monkey Grip: A Novel by Helen Garner. It’s a book that launched the career of one of Australia’s most celebrated writers. The story follows the infatuations of a young, single mother fascinated by the excesses of Melbourne’s late-70s counterculture. Monkey Grip is a seminal novel about Australia’s turbulent 1970s, including communal households, music, friendships, children, love, drugs, and sex.
Helen Garner is a renowned novelist, short-story writer, and journalist. She’s best known for her frank, unsparing, and intricate portrayals of Australian life, often drawn from the pages of her journals and diaries. A new US edition of her debut novel, which establishes Garner’s masterful and quietly radical literary voice, is now available.
The novel is set in Australia during the late 1970s and tells the story of Nora, a single mother and writer. Nora navigates Melbourne’s bohemian underground with her young daughter, Gracie, in tow. Nora falls in love with Javo, a flighty man trapped in his addiction. As their relationship disintegrates, Nora struggles to wean off a love that feels impossible to live without.
When Monkey Grip was first published in 1977, it caused a sensation. Critics praised Garner for her craft, but many criticized her gritty depictions of the human body, frankness about sex and drugs, the mess of motherhood, and her unabashed use of her own life as inspiration. Today, such criticism feels old-fashioned and glaringly gendered, and Monkey Grip is considered a modern masterpiece.
by Chelsea Bieker
God Shot by Chelsea Bieker, one of NPR’s Books We Love from 2020, is about the town of Peaches, California, where drought has settled in for the long term. The area of the Central Valley where fourteen-year-old Lacey May and her alcoholic mother live was once an agricultural paradise. Now it’s an environmental disaster, a place of cracked earth and barren raisin farms.
In their desperation, residents have turned to a cult leader named Pastor Vern for guidance. Everybody is praying for survival through secret “assignments” to bring the rain.
God Shot is an enjoyable read. However, I first found it challenging to accept Pastor Vern’s assignments, especially to Lacey May and her fellow teenage girls. Would people believe in a cult leader and get “assignments” that involve women fully accepting male domination in the twenty-first century? When I had doubts, I would wake up, listen to the news, or read the papers and discover that it is plausible and does happen in our world.
After being god-shot, Lacey May becomes one day at a time feminist as she has to rely on herself and other women who do not accept Pastor Vern’s divine leadership. Slowly but surely, she and her friends find a miracle to help them escape not only the environmental disaster caused by the drought but the moral depravity of Pastor Vern.
Goodreads provides this overview of the God Shot.
Lacey has no reason to doubt the pastor. But then her life explodes in a single unimaginable act of abandonment: her mother, exiled from the community for her sins, leaves Lacey and runs off with a man she barely knows. Abandoned and distraught, Lacey May moves in with her widowed grandma, Cherry, who is more concerned with her taxidermy mouse collection than her own granddaughter. As Lacey May endures the increasingly appalling acts of men who want to write all the rules and begins to uncover the full extent of Pastor Vern’s shocking plan to bring fertility back to the land, she decides she must go on a quest to find her mother no matter what it takes. With her only guidance coming from the romance novels she reads and the unlikely companionship of the women who knew her mother, she must find her own way through unthinkable circumstances.
Possessed of an unstoppable plot and a brilliantly soulful voice, Godshot is a book of grit, humor, and heart, a debut novel about female friendship and resilience, mother loss and motherhood, and seeking salvation in unexpected places. It introduces a writer who gives Flannery O’Connor’s Gothic parables a Californian twist and who emerges with a miracle that is all her own.
I recommend this novel without reservations!
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Today, I dove into “The Rest Is Memory: A Novel” by Lily Tuck, and it’s already leaving a powerful impression. This poignant tale follows a young Catholic girl’s harrowing journey to Auschwitz, woven in a captivating Rashomon-style narrative showcasing Tuck’s brilliance as a storyteller. Esquire has rightly placed it on their list of Best Books for Fall 2024, and I can see why.
In Tuck‘s skilled hands, “The Rest Is Memory” transforms into an unforgettable piece of historical reclamation, breathing life into an innocent soul who has long been remembered only through a haunting triptych of photographs. It’s a journey that promises to linger in my thoughts long after I’ve turned the last page.
In this mesmerizing novel by Lily Tuck, we first glimpse fourteen-year-old Czeslawa riding on the back of a boy’s motorcycle. Tuck imagines Czeslawa’s upbringing in a small Polish village before her world imploded in late 1942. Stripped of her modest belongings, she arrives at Auschwitz shorn and bearing the tattoo number 26947. Shortly after, she is photographed. Three months later, she is dead.
How did this happen to an ordinary Polish citizen? This is the question Tuck grapples with in this haunting narrative, which frames Czeslawa’s story within the tragic context of the six million Poles who perished during the German occupation. A decade before writing The Rest Is Memory“, Tuck read an obituary of the photographer Wilhelm Brasse, who took over 40,000 pictures of Auschwitz prisoners—including three of Czeslawa Kwoka, a Catholic girl from rural southeastern Poland. Tuck cut out these photos and kept them, determined to learn more about Czeslawa. However, she could only gather the barest facts: the village she came from, the transport she was on, that she was accompanied by her mother and neighbors, her tattoo number, and the date of her death. Tuck crafts a remarkable kaleidoscope of imagination from this scant evidence, something only our greatest novelists can achieve.
Susanna Moore described the novel as “Beautifully written, all the while instilling a sense of horror.” Tuck’s language swirls around the reader, yet no word is out of place. The subtly rotating images tumble forth, accelerating as we learn about Czeslawa’s tragic time in Auschwitz, as well as the lives of real individuals, including the brutal Commandant Rudolf Höss, his unconscionable wife Hedwig, psychiatrist and child rescuer Janusz Korczak, and the sharp Polish short story writer Tadeusz Borowski. Although we know Czeslawa’s fate, we must keep turning the pages, thoroughly captivated by Tuck’s nearly otherworldly prose.
by Miranda July
Today, I started reading All Fours: A Novel by Miranda July. A semi-famous artist announces her plan to drive cross-country from LA to NY. Thirty minutes after leaving her husband and child at home, she spontaneously exits the freeway, checks into a nondescript motel, and immerses herself in an entirely different journey.
Miranda July’s second novel, a testament to her unique approach to fiction, confirms the brilliance of her storytelling. With July’s wry voice, perfect comic timing, unabashed curiosity about human intimacy, and palpable delight in pushing boundaries, All Fours tells the story of one woman’s quest for a new kind of freedom. Part absurd entertainment, part tender reinvention of the sexual, romantic, and domestic life of a forty-five-year-old female artist, All Fours transcends expectation while excavating our beliefs about life as a woman. Once again, July hijacks the familiar and turns it into something new and thrillingly, profoundly alive.
by Ayana Mathis
I highly recommend reading “The Unsettled: A Novel” by Ayana Mathis. It’s a brilliant, explosive, and vitally crucial new work from one of America’s most fiercely talented storytellers. The story follows Ava Carson and her ten-year-old son, Toussaint, arriving at the Glenn Avenue family shelter in Philadelphia in 1985. From the outset, Ava is already thinking of a way to escape.
She is disgusted by the shelter’s squalid conditions, including a room infested with cockroaches, barely edible food, and an untrustworthy night security guard. She is resolute in her mission to rescue her son from the shelter’s dangers and humiliations and free herself from the complex past that led them there.
Ava and her mother, Dutchess, have been estranged for many years since Ava left her Alabama home as a young woman. Despite the miles between them, mother and daughter are still deeply connected. However, Ava finds it hard to forgive her mother for her sharp tongue, intractability, and bouts of despair that led to neglect and hunger during her childhood.
Ava wants to be a better mother to her son, Toussaint. However, when Toussaint’s father, Cass, suddenly reappears, Ava is drawn to his charisma and radical vision to dismantle systems of racial injustice and establish a new communal living.
Meanwhile, in Alabama, Dutchess is facing a difficult challenge. She is struggling to prevent the sale of Bonaparte to white developers, who are rapidly encroaching on the land. Bonaparte has been a beacon of Black freedom and self-determination, and it is now in the hands of its last five Black residents – families who have lived there for generations. Dutchess is fighting to preserve the venerable history of Bonaparte and the land, which she has worked hard to keep as Ava’s inheritance.
As Ava approaches Cass, Toussaint begins to sense danger around him. He worries about his mother’s erratic behavior and his father’s intense and volatile nature. Toussaint dreams of returning to Bonaparte and Dutchess, where he was born and raised. He hopes to find his way back there soon.
The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.
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