Today, I began reading Alexandra Tanner's debut novel, Worry: A Novel. The New Yorker praised it as "dryly witty," and The New York Times Book Review called it "fabulously revealing." The story follows two siblings-turned-roommates who try to navigate an absurd world on the verge of calamity. It explores existentialism and sisterhood in a Seinfeldian style.
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by Alexandra Tanner
Today, I began reading Alexandra Tanner‘s debut novel, Worry: A Novel. The New Yorker praised it as “dryly witty,” The New York Times Book Review called it “fabulously revealing.” The story follows two siblings-turned-roommates who try to navigate an absurd world on the verge of calamity. It explores existentialism and sisterhood in a Seinfeldian style.
In March 2019, Jules Gold, a 28-year-old woman, felt anxious, frustrated with her art, and addicted to the internet. She lives alone in the apartment she used to share with her ex-fiancé. Her younger sister Poppy unexpectedly comes to stay with her indefinitely. Poppy, who attempted suicide a year and a half ago, is looking for work and purpose in Brooklyn. Meanwhile, Jules spends her days scrolling through the feeds of Mormon mommy bloggers and waiting for something to happen in her life.
Poppy’s hives, which she has had since childhood, flare up again. Jules has health problems with her uterus. Poppy adopts a poorly behaved-rescue dog named Amy Klobuchar. Poppy’s mother, who recently became a devout Messianic Jew, starts believing in the same deep-state conspiracy theories as Jules’ online mommies. Jules half-heartedly tries to find the source of her ennui and cruelly blames Poppy for not being a good enough friend, writer, or sister. As the year progresses and a new decade approaches, a disastrous trip back to Florida forces Jules and Poppy to question their futures and whether they want to spend them together or apart.
Worry is a darkly funny and deadpan portrayal of two sisters struggling through anxiety and uncertainty in America. A bold new voice in contemporary fiction writes it.
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by Alia Trabucco Zerán
Today, I delved into the unique narrative of ‘Clean: A Novel‘ by Alia Trabucco Zerán, translated by Sophie Hughes. This compelling novel, shortlisted for the Femina Etranger and Medicis Etranger Prizes, unfolds the story of a maid who has witnessed a lot and a family on the brink of collapse. The narrative is centered around a young girl’s death, with the family’s maid being the critical witness under interrogation, tasked with recounting the events leading up to the tragedy.
Estela’s journey from the countryside, leaving her mother behind, to work for the señor and señora when their only child was born is poignant. Their ad for a housemaid: ‘Smart appearance, full-time,’ was her ticket to earning enough to support her mother and return home. Estela cleaned their laundry, wiped their floors, and made their meals for seven years, but she also became privy to their secrets, witnessed their conflicts, and raised their daughter. She heard the rats in the ceiling, saw the looks the señor gave the señora, and knew about the poison in the cabinet, the gun, the daughter’s rebellion, the mother’s coldness, and the father’s distance. She experienced it all.
After a series of shocking betrayals and revelations, Estela’s silence becomes her shield, broken only now to reveal how it all unraveled. Is this a tale of vengeance or a confession? A clash of classes or a lesson in caution? With each page turn, ‘Clean: A Novel‘ builds tension, offering a gripping, incisive exploration of power, domesticity, and betrayal from an international star at the peak of her storytelling prowess.
by Hillary Jordan
When She Woke, a fable about a stigmatized woman struggling to navigate an America of a not-too-distant future by Hillary Jordan, Bellwether Prize Winner. Hannah Payne, the protagonist, embarks on a path of self-discovery that forces her to question the values she once held and the righteousness of a country that politicizes faith. The premise of When She Woke seems to be happening as I read the novel. It is also the one hundred books I have read since the beginning of 2019 and the forty-fifth this year.
Hannah Payne, like Hester Prynne, is attacked for her actions by extreme religious beliefs. Instead of wearing a scarlet letter, Hannah’s chroming (i.e., having her skin altered) makes her skin red from head to toe. The chroming might have been a good theme for a science fiction novel. Still, Ms. Jordan has written a captivating book in which Hannah confronts who she is and, after questioning the values she once had, discovers that Hannah is more vital than she believed she could be.
I highly recommend this novel.
As Ms. Jordan describes the book,
Hannah Payne’s life has been devoted to church and family. But after she’s convicted of murder, she awakens to a nightmare: she finds herself lying on a table in a solitary confinement cell, her skin turned bright red. Cameras are broadcasting her every move to millions at home, for whom observing newly made “Chromes”—criminals whose skin color has been genetically altered to reflect their crime—is a sinister form of entertainment. Hannah is a Red, a murderess. The victim, says the state of Texas, was her unborn child, and she’s determined to protect the identity of the father, a public figure with whom she shared a fierce and forbidden love.
A powerful reimagining of The Scarlet Letter, When She Woke is a timely fable about a stigmatized woman struggling to navigate a dystopian America. In this not-too-distant future, the line between church and state has been eradicated and convicted felons are no longer imprisoned, but “chromed” and released back into the population to survive as best they can.
As she seeks a path to safety in an alien and hostile world, Hannah unknowingly embarks on a journey of self-discovery that forces her to question the values she once held true and the righteousness of a country that politicizes faith and love.
The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. All donations are tax-deductible.
I receive a commission when you buy a book or product using a link on this page. Thank you for supporting Sharing Jan’s Love blog.
by Paul Lynch
In 2024, I started my reading journey with the Booker Prize 2023 winner – Prophet Song, by Paul Lynch. The book presents a chilling and astonishing outlook of a nation sliding into authoritarianism while also painting a profoundly humane portrait of a mother’s struggle to keep her family together. I have not set a goal of the number of books to read in 2024, but this is an excellent first-day pageturner.
It all begins on a dark, rainy evening in Dublin when Eilish Stack, a scientist and mother of four, opens her front door to two officers from Ireland’s newly formed secret police. They are there to interrogate her husband, a trade unionist. Ireland is falling apart as the government is gradually turning towards tyranny. As her world crumbles and the people she loves disappear, Eilish faces the dystopian reality of her country. How far is Eilish willing to go to protect her family? And what, or who, is she ready to leave behind?
The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.
I receive a commission when you buy a book or product using a link on this page. Thank you for supporting Sharing Jan’s Love blog.
by Nathaniel Rich
Losing Earth: A Recent History by Nathaniel Rich reminds us how close we were to halting the climate emergency, and our failure has resulted in our passing the tilting point. The book “reveals, in previously unreported detail, the birth of climate denialism and the genesis of the fossil-fuel industry’s coordinated effort to thwart climate policy through misinformation propaganda and political influence.”
By 1979, we knew nearly everything we understand today about climate change – including how to stop it. Over the next decade, a handful of scientists, politicians, and strategists, led by two unlikely heroes, risked their careers in a desperate, escalating campaign to convince the world to act before it was too late. Losing Earth is their story and ours.
The New York Times Magazine devoted an entire issue to Nathaniel Rich’s groundbreaking chronicle of that decade, which became an instant journalistic phenomenon – the subject of news coverage, editorials, and conversations all over the world. In its emphasis on the lives of the people who grappled with the significant existential threat of our age, it made vivid the moral dimensions of our shared plight.
Losing Earth tells the human story of climate change in even richer, more intimate terms. It reveals, in previously unreported detail, the birth of climate denialism and the genesis of the fossil-fuel industry’s coordinated effort to thwart climate policy through misinformation propaganda and political influence. The audiobook carries the story into the present day, wrestling with the long shadow of our past failures and asking crucial questions about how we make sense of our past, our future, and ourselves.
Like John Hersey’s Hiroshima and Jonathan Schell’s The Fate of the Earth, Losing Earth is the rarest of achievements: a riveting work of dramatic history that articulates a moral framework for understanding how we got here and how we must go forward.
Losing Earth is a must-read book!
by Cleyvis Natera
Neruda on the Park is a novel by Cleyvis Natera that beautifully depicts the complexities of family, friendship, and ambition. The story highlights the community’s efforts to protect their neighborhood amidst the gentrification and the tension between a mother and her daughter.
The Guerreros have lived in Nothar Park, a Dominican neighborhood in New York City, for twenty years. When a neighboring tenement faces demolition, Eusebia, an elder of the community, takes matters into her own hands and devises a series of increasingly dangerous schemes to halt the construction of luxury condos. Meanwhile, Eusebia’s daughter, Luz, a rising associate at a Manhattan law firm, becomes distracted by a passionate romance with the handsome white developer working on the project her mother opposes.
As Luz’s father, Vladimir, designs their retirement home in the Dominican Republic, mother and daughter clash, escalating tensions in Nothar Park and leading to a near-fatal climax. Overall, Neruda on the Park is a captivating story that weaves a rich, vivid tapestry of community and sacrifice to protect what matters most.
The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.
I receive a commission when you buy a book or product using a link on this page. Thank you for supporting Sharing Jan’s Love blog.
by George Saunders
My journey with “Lincoln in the Bardo: A Novel” by George Saunders began with recognition as one of The New York Times’ 100 Best Books of the Century. As I turned its pages, I was immersed in its profound exploration of living and loving in the face of inevitable endings. The book, which struck a personal chord with me after a loss, is a testament to Saunders’ storytelling prowess and a must-read for those interested in Abraham Lincoln.
February 1862. The Civil War is less than one year old. The fighting has begun in earnest, and the nation has already realized it is in for a long, bloody struggle. Meanwhile, President Lincoln’s beloved eleven-year-old son, Willie, lies upstairs in the White House, gravely ill. In a matter of days, despite predictions of a recovery, Willie dies and is laid to rest in a Georgetown cemetery. “My poor boy, he was too good for this earth,” the president says at the time. “God has called him home.” Newspapers report that a grief-stricken Lincoln returns, alone, to the crypt several times to hold his boy’s body.
From a seed of historical truth, George Saunders weaves an unforgettable tale of familial love and loss that transcends its realistic, historical framework. The story takes a daring leap into a realm that is hilarious and terrifyingly supernatural. Willie Lincoln’s journey in a strange purgatory, where ghosts mingle, gripe, commiserate, quarrel, and enact bizarre acts of penance, is a testament to Saunders’ imaginative prowess. The monumental struggle over young Willie’s soul in this transitional state, known as the bardo in the Tibetan tradition, is a narrative that will leave you spellbound.
Lincoln in the Bardo is an astonishing feat of imagination and a bold step forward from one of his generation’s most important and influential writers. Formally daring, generous in spirit, and deeply concerned with matters of the heart, it is a testament to fiction’s ability to speak honestly and powerfully about the things that matter to us. Saunders has invented a thrilling new form that deploys a kaleidoscopic, theatrical panorama of voices to ask a timeless, profound question: How do we live and love when we know everything we love must end?
