The Secrets We Left Behind by Soraya M. Lane is a historical fiction that raises the question, where were the women after Dunkirk and the fall of France? When World War II appeared to have been lost with a Nazi victory. Ms. Lane watched the movie Dunkirk and then researched that time and the women’s possible roles during that difficult moment in history.

She connected the evacuation at Dunkirk to the Massacre at Le Paradis, fifty miles away, to connect a British nurse and two French women whose strength helps them survive Nazi-occupied France. Three British male soldiers, two of whom survived the massacre and one who escaped Dunkirk, have secondary roles in the novel. 

The Secrets We Left Behind is the story of the three strong women and their efforts to survive the occupation while hiding the three soldiers. This focus on the role of women has been long overdue in history. Ms. Lane, who studied to be a lawyer, has found a career as a writer. The Secrets We Left Behind is the first book I have read, but it will not be the last one by Ms. Lane that I read.

I strongly recommend this book!

The Goodreads synopsis provides an overview of the novel.

How far will they go for family, friendship, and love? Occupied France, 1940. When the staff at a field hospital draw straws to find out who will join the evacuation from Dunkirk, Nurse Cate is left behind. But when the Nazis arrive to claim prisoners of war, she takes her chance and flees into the night, taking one patient with her.

Fifty miles away, the surrendering soldiers of the Royal Norfolk Regiment are shot dead by the advancing Germans. Beneath the pile of bodies, two men survive, crawling to the safety of a nearby farmhouse, where sisters Elise and Adelaide risk their lives to take them in. When Cate, too, arrives at their door with her injured soldier, the pressure mounts.

The sisters are risking everything to keep their visitors safe. But with the Nazis coming ever closer and relationships in the farmhouse intensifying, they must all question the sacrifices they are willing to make for the lives of others. How far will they go for family, friendship, and love?

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Weather: A Novel by Jenny Offil was a book that I was confused and uncertain if I wanted to finish for the first few pages. I am delighted that I did, and I highly recommend this book. Its brief diary-like dispatches about life in our time when we sense that we may all be doomed to a climate catastrophe made this a book I truly enjoyed reading. The subtext of the rise of right-wing strongmen in the USA and abroad adds to the crisis her dispatches describe.

Her Obligatory Note of Hope challenges all of us to engage in solutions instead of accepting doom.

How can we contribute to the common good? There are people all over the world trying to answer these questions. In big ways but also in small ways. In grand leaps but also in fits and starts.

I always thought it was ridiculous to try and fight for social change when I couldn’t even get my own house in order. How could a meat-eating, plane-flying, march-hating person like me ever find a place in the climate justice movement? But then I started to read about all the different ways ordinary people were refusing to give into fatalism and were exploring the possibilities of what they could do, what they might fight for in this half-ruined world of ours.

There were saints among these accidental activists, but also stone-cold hypocrites like me. Slowly, I began to see collective action as the antidote to my dithering and despair.

There’s a way in for everyone. Aren’t you tired of all this fear and dread?

Goodreads provides an overview of the book if you are not yet convinced to read it.

 Lizzie Benson is a very relatable woman who slid into her job as a librarian without a traditional degree. But this gives her a vantage point from which to practice her other calling: a fake shrink. She has tended to her God-haunted mother and her recovering addict brother for years. They have both stabilized for the moment, but Lizzie has little chance to spend her new free time with her husband and son before her old mentor, Sylvia Liller, proposes. She wants to hire Lizzie to answer the mail she receives: left-wingers worried about climate change and right-wingers concerned about the decline of western civilization. Sylvia has become famous for her prescient podcast, Hell and High Water, and wants to hire Lizzie to answer the mail she receives: from left-wingers worried about climate change and right wingers worried about the decline of western civilization.

As Lizzie dives into this polarized world, she begins to wonder what it means to keep tending your own garden once you’ve seen the flames beyond its walls. When her brother becomes a father and Sylvia a recluse, Lizzie is forced to address the limits of her own experience. But she still tries to save everyone, using everything she’s learned about empathy and despair, conscience and collusion, floundering the library stacks her years of wa.. And all the while the voices of the city keep floating in—funny, disturbing, and increasingly mad.

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Short Stories that Will Define the Future of American Letters

The New Yorker’s collection of short stories – 20 Under 40 – is a collection of twenty writers “whose work will help define the future of American letters.”

Some of these I had read in The New Yorker and others I had missed. Either way, they were a pleasure to read.

As The New Yorker wrote,

The range of voices is extraordinary. There is the lyrical realism of Nell Freudenberger, Philipp Meyer, C. E. Morgan, and Salvatore Scibona; the satirical comedy of Joshua Ferris and Gary Shteyngart; and the genre-bending tales of Jonathan Safran Foer, Nicole Krauss, and Téa Obreht. David Bezmozgis and Dinaw Mengestu offer clear-eyed portraits of immigration and identity; Sarah Shun-lien Bynum, ZZ Packer, and Wells Tower offer voice-driven, idiosyncratic narratives. Then there are the haunting sociopolitical stories of Chimamanda Ngozi Adichie, Daniel Alarcón, and Yiyun Li, and the metaphysical fantasies of Chris Adrian, Rivka Galchen, and Karen Russell.

Each of these writers reminds us why we read. And each is aiming for greatness: fighting to get and to hold our attention in a culture that is flooded with words, sounds, and pictures; fighting to surprise, to entertain, to teach, and to move not only us but generations of readers to come. A landmark collection, 20 Under 40 stands as a testament to the vitality of fiction today.

I recommend this collection of short stories.

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Today, I started reading The Vegetarian: A Novel by Han Kang, Winner of the 2024 Nobel Prize in Literature. The novel also won The International Booker Prize and is one of The New York Times’s 100 Best Books of the 21st Century. Celebrated by critics worldwide, The Vegetarian is a darkly allegorical, Kafka-esque tale of power, obsession, and one woman’s struggle to break free from the violence both without and within her.

Before the nightmares began, Yeong-hye and her husband lived an ordinary, controlled life. But the dreams—invasive images of blood and brutality—torture her, driving Yeong-hye to purge her mind and renounce eating meat altogether. It’s a small act of independence, but it interrupts her marriage and sets into motion an increasingly grotesque chain of events at home.

As her husband, her brother-in-law, and her sister each fight to reassert their control, Yeong-hye obsessively defends the choice that’s become sacred to her. Soon, their attempts turn desperate, subjecting first her mind and then her body to ever more intrusive and perverse violations, sending Yeong-hye spiraling into a dangerous, bizarre estrangement, not only from those closest to her but also from herself.

Today, I began reading The Covenant of Water, the long-awaited new novel by Abraham Verghese, the author of the significant word-of-mouth bestseller Cutting for Stone, which has sold over 1.5 million copies in the United States alone and remained on the New York Times bestseller list for over two years. The Covenant of Water was a holiday gift from Mike, Elyssa, Nick, and Wes.

From 1900 to 1977, The Covenant of Water is set in Kerala, on South India’s Malabar Coast. It follows three generations of a family that suffers a peculiar affliction: in every generation, at least one person dies by drowning—and in Kerala, water is everywhere. At the turn of the century, a twelve-year-old girl from Kerala’s long-existing Christian community, grieving the death of her father, is sent by boat to her wedding, where she will meet her forty-year-old husband for the first time. From this unforgettable new beginning, the young girl—and future matriarch, known as Big Ammachi—will witness unthinkable changes throughout her extraordinary life, full of joy and triumph as well as hardship and loss, her faith and love the only constants.

A shimmering evocation of a bygone India and of the passage of time itself, The Covenant of Water is a hymn to progress in medicine and human understanding and a humbling testament to the difficulties undergone by past generations for the sake of those alive today. It is one of the most masterful literary novels published in recent years.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Regarding gifts made this month, I will match dollar for dollar. All donations are tax-deductible.

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Crow Lake by Mary Lawson is set in northern Ontario’s rural “badlands.” The badlands are where heartbreak and hardship are mirrored in the landscape of the farming Pye family. Crow Lake is that rare find, a first novel so quietly assured, so emotionally pitch-perfect, you know from the opening page that this is the real thing – a literary experience in which to lose yourself, by an author of immense talent.

Crow Lake was a page-turner for me once I read the prologue.

Two families dominate the story.

On the one hand, it is the Greek tragedy of the Pye family. On their farm, “the sins of the fathers are visited on the sons, and terrible events occur—offstage.”

Kate Morrison has left her two brothers and sister at the lake to become a zoologist. The four siblings lost their parents and struggled to remain together. Their “tragedy looks more immediate if less brutal, but is, in reality, insidious and divisive.”

As Goodreads describes the novel,

In this universal drama of family love and misunderstandings, of resentments harbored and driven underground, Lawson ratchets up the tension with heartbreaking humor and consummate control, continually overturning one’s expectations right to the very end. Tragic, funny, unforgettable, this deceptively simple masterpiece about the perils of hero worship leaped to the top of the bestseller lists only days after being released in Canada and earned glowing reviews in The New York Times and The Globe and Mail, to name a few.

I highly recommend this novel and am looking forward to reading more from Mary Lawson.

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As an amateur historian, I have always enjoyed historical fiction, especially when It helps us redefine the past to be more accurate. Lone Women: A Novel by Victor LaValle is a haunting new vision of the American West from the award-winning author of The Changeling. Blue skies, empty land—and enough room to hide away a horrifying secret. Or is there? I recommend this book.

When I began reading this novel, I was unsure where it was going or what might be hidden in the steamer trunk. I was unaware of this story and found this book a well-written account of forgotten history that must be told and shared with all readers. Stay the course as Lone Women: A Novel reveals the secrets in the Trunk and the fantastic story of lone women who lived in and prospered in the old West.

Lone Women is the twenty-fifth book I have read in 2023. Although I have surpassed my reading goal, I will continue to read.

The Goodreads summary provides an overview,

Adelaide Henry carries an enormous steamer trunk with her wherever she goes. It’s locked at all times. Because when the trunk is opened, people around her start to disappear…

The year is 1914, and Adelaide is in trouble. Her secret sin killed her parents and forced her to flee her hometown of Redondo, California, in a hellfire rush, ready to make her way to Montana as a homesteader. Dragging the trunk with her at every stop, she will be one of the “lone women” taking advantage of the government’s offer of free land for those who can cultivate it—except Adelaide isn’t alone. And the secret she’s tried so desperately to lock away might be the only thing keeping her alive.

Told in Victor LaValle’s signature style, blending historical fiction, shimmering prose, and inventive horror, Lone Women is the gripping story of a woman desperate to bury her past—and a portrait of early twentieth-century America as you’ve never seen.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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The Guest by Emma Cline is a highly recommended book, recognized as one of the top releases for May by The New York Times. At first, I assumed it was just another typical summer romance novel I usually don’t enjoy. However, I was surprised that it was unlike any other beach read I had encountered.

The protagonist, Alex, finds herself in a difficult situation after making a mistake at a dinner party in the East End of Long Island towards the end of summer. The man she’s been staying with dismisses her and sends her back to the city. With limited resources and a waterlogged phone, Alex decides to stay on Long Island and explore her surroundings. She wanders through exclusive neighborhoods and beaches, leaving a trail of destruction behind her.

According to The New York Times, Alex’s days and nights waiting for Labor Day might be “an entertaining series of misguided shenanigans interrupting the upper class’s summer vacation. However, under Cline’s command, every sentence is as sharp as a scalpel, portraying a woman who toes the line between welcome and unwelcome guest and becomes a fully destabilizing force for her hosts and the novel itself.

Although the book has no experience with themes, such as using sex to secure what she desires, as soon as I started reading it, I could not stop. Regardless of my unfamiliarity with the topics, I highly recommend The Guest.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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I receive a commission when you buy a book or product using a link on this page. Thank you for supporting Sharing Jan’s Love blog.