Having surpassed my Goodreads 2022 reading goal, I wanted a lite, historical fiction book and found this one in the e-library. Lucky Us by Amy Bloom is a book that hooked me on the opening line – “My father’s wife died. My mother said we should drive down to his place and see what might be in it for us.” I enjoyed reading it and highly recommend it.

The first section in Hollywood was the one I found less appealing. Partly that is because I identified with Eva, and she does not fulfill her leading role until the last two sections. Its depiction of how people survived the way years by sometimes is a reminder of our inner resilience.

Goodreads provides the following summary.

So begins this remarkable novel by Amy Bloom, whose critically acclaimed Away was called “a literary triumph” (The New York Times). Lucky Us is a brilliantly written, deeply moving, fantastically funny novel of love, heartbreak, and luck.

Disappointed by their families, Iris, the hopeful star and Eva the sidekick, journey through 1940s America in search of fame and fortune. Iris’s ambitions take the pair across the America of Reinvention in a stolen station wagon, from small-town Ohio to an unexpected and sensuous Hollywood, and to the jazz clubs and golden mansions of Long Island.

With their friends in high and low places, Iris and Eva stumble and shine through a landscape of big dreams, scandals, betrayals, and war. Filled with gorgeous writing, memorable characters, and surprising events, Lucky Us is a thrilling and resonant novel about success and failure, good luck and bad, the creation of a family, and the pleasures and inevitable perils of family life, conventional and otherwise. From Brooklyn’s beauty parlors to London’s West End, a group of unforgettable people love, lie, cheat, and survive in this story of our fragile, absurd, heroic species.

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Today I started reading A Line in the Sand: A Novel by Kevin Powers. Listed as one of the books to read this week by The New York Times, which described it as “a stunning novel. Kevin Powers provides what any discerning reader desires the most — complex and flawed characters, precise use of language, succinct description, and believable dialogue.”

One early morning on a Norfolk beach in Virginia, a dead body is discovered by a man taking his daily swim—Arman Bajalan, formerly an interpreter in Iraq. After narrowly surviving an assassination attempt that killed his wife and child, Arman has been given lonely sanctuary in the US as a maintenance worker at the Sea Breeze Motel. Now, convinced that the body is connected to his past, he knows he is still unsafe.

Seasoned detective Catherine Wheel and her newly minted partner have little to go on beyond a bus ticket in the dead man’s pocket. It leads them to Sally Ewell, a local journalist as grief-stricken as Arman is by the Iraq War, investigating a corporation on the cusp of landing a multi-billion-dollar government defense contract.

As victims mount around Arman, taking the team down wrong turns and towards startling evidence, they find themselves in a race committed to unraveling the truth and keeping Arman alive—even if it costs them everything.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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The Shadow King: A Novel by Maaza Mengiste is a book happened to offer two often overlooked threads of history. The first is Mussolini’s 1935 invasion of Ethiopia. The second one I am most interested in is the women soldiers who were left out of the historical record. I highly recommend The Shadow King. It is a gorgeously crafted and unputdownable exploration of female power and what it means to be a woman at war.

Hirut and Aster come alive in Maaza Mengiste talented writing. Their struggles to be seen as equal in a society at war is engaging. Hirut’s plan to create a shadow kingpin the absence of Emperor Haile Selassie is one that turns defeat into victory.

Goodreads provides a good overview of the book.

With the threat of Mussolini’s army looming, recently orphaned Hirut struggles to adapt to her new life as a maid in Kidane and his wife Aster’s household. Kidane, an officer in Emperor Haile Selassie’s army, rushes to mobilize his most muscular men before the Italians invaded. His initial kindness to Hirut shifts into flinty cruelty when she resists his advances. Hirut finds herself tumbling into a new world of thefts and violations, betrayals, and overwhelming rage. Meanwhile, Mussolini’s technologically advanced army prepared for an easy victory. Hundreds of thousands of Italians―Jewish photographer Ettore among them―march on Ethiopia seeking adventure.

As the war begins in earnest, Hirut, Aster, and the other women long to do more than care for the wounded and bury the dead. When Emperor Haile Selassie goes into exile and Ethiopia quickly loses hope, Hirut offers a plan to maintain morale. She helps disguise a gentle peasant as the emperor and soon becomes his guard, inspiring other women to take arms against the Italians. But how could she have predicted her war as a prisoner of one of Italy’s most vicious officers, who would force her to pose before Ettore’s camera?

What follows is a gorgeously crafted and unputdownable exploration of female power, with Hirut as the fierce, original, and brilliant voice at its heart. In incandescent, lyrical prose, Maaza Mengiste breathes life into complicated characters on both sides of the battle line, shaping a heartrending, unforgettable exploration of what it means to be a woman at war.

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The Kitchen House by Kathleen Grissom was a book that I knew very little about who I took from our bookshelf. My wife had encouraged me to read it as it focused on the south, and she knew I ofter read both about that place and enjoyed history.

From the opening pages, It became a book that I could not put down.

Two characters narrate the book. One is Lavinia, an Irish girl orphaned and brought to the plantation by the master, a ship’s captain. She is assigned to the kitchen house to work with Belle, who is the illegitimate child of the master of the estate.

As Lavinia grows under the tutelage of Belle, the story highlights the struggles of a plantation. Lavinia finds family and love from the enslaved even though she is only indentured. The distinction that skin color would have on their lives is one that Lavinia only learns at the end.

Through the unique eyes of Lavinia and Belle, Grissom’s debut novel unfolds in a heartbreaking and ultimately hopeful story of class, race, dignity, deep-buried secrets, and familial bonds.

The Kitchen House is Ms. Grissom’s first novel and impressed me and inspired me even though I have no skills as a writer.

I strongly recommend this book.

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Anxious People by Fredrik Backman, a poignant comedy about a crime that never occurred. A would-be bank robber disappears into thin air, and eight highly anxious strangers find they have more in common than they ever imagined. Anxious People is a novel that Jan and I would have both enjoyed reading. It jumped off the e-book shelf while looking for a new book to read.

Although Anxious People is a humorous comedy, it is really about the enduring power of friendship, forgiveness and hope, which are the key to our survival as individuals, couples and communities. It is the core of what made the love that Jan and I shared special and unique, but it is also what I gain from my participation in my various grief groups as well as Friday night Shabbat services.

I highly recommend this book.

The Goodreads summary provides an overview.

Viewing an apartment usually doesn’t turn into a life-or-death situation. Still, this particular open house becomes just that when a failed bank robber bursts in and takes everyone in the apartment hostage. As the pressure mounts, the eight strangers slowly open up to one another and reveal long-hidden truths.

First is Zara, a wealthy bank director who has been too busy to care about anyone else until tragedy changed her life. Now, she’s obsessed with visiting open houses to see how ordinary people live—perhaps, setting an old wrong to the right. Then there’s Roger and Anna-Lena, an Ikea-addicted retired couple who are on a never-ending hunt for fixer-uppers to hide the fact that they don’t know how to fix their failing marriage. Julia and Ro are a young lesbian couple and soon-to-be parents who are nervous about their chances for a successful life together since they can’t agree on anything. And there’s Estelle, an eighty-year-old woman who has lived long enough to be unimpressed by a masked bank robber waving a gun. And despite the story she tells them all, Estelle hasn’t come to the apartment to view it for her daughter, and her husband isn’t outside parking the car.

As police surround the premises and television channels broadcast the hostage situation live, the tension mounts, and even deeper secrets are slowly revealed. Before long, the robber must decide which is the terrifying prospect: going out to face the police or staying in the apartment with this group of impossible people.

Rich with Fredrik Backman’s “pitch-perfect dialogue and an unparalleled understanding of human nature” (Shelf Awareness), Anxious People’s whimsical plot serves up unforgettable insights into the human condition and a gentle reminder to be compassionate to all the anxious people we encounter every day.

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Interpreter of Maladies by Jhumpa Lahiri is an incredible book. Each short story is a page-turner that I will re-read many times. As Ms. Lahiri writes, “The question of identity is always a difficult one, but especially so for those who are culturally displaced, as immigrants are, or those who grow up in two worlds simultaneously, as is the case for their children.”

Since 2000, Interpreter of Maladies has been on my reading list. For what is a writer, if not an interpreter of maladies? Perhaps, I waited until now so that I would have grief to help guide me thru this collection of short stories. I highly recommend Interpreter of Maladies.

The Goodreads summary provides a concise overview.

Navigating between the Indian traditions they’ve inherited and the baffling new world, the characters in Jhumpa Lahiri’s elegant, touching stories seek love beyond the barriers of culture and generations. In “A Temporary Matter,” published in The New Yorker, a young Indian-American couple faces the heartbreak of a stillborn birth. At the same time, their Boston neighborhood copes with a nightly blackout. In the title story, an interpreter guides an American family through the India of their ancestors and hears an astonishing confession. Lahiri writes with deft cultural insight reminiscent of Anita Desai and a nuanced depth that recalls Mavis Gallant.

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