Today, I started reading “Clear: A Novel” by Carys Davies. It’s a stunning and exquisite novel written by an award-winning author. The story follows John, a Scottish minister who is sent to a remote island off the coast of Scotland to evict the last remaining inhabitant, Ivar. However, Ivar is unwilling to leave, and John’s wife, Mary, has severe misgivings about the task.

Shortly after arriving on the island, John falls off a cliff and is badly injured. Ivar finds him and takes him home, where he tends to his wounds. John and Ivar understand each other despite the language barrier and the fragile connection that forms.

The story takes place in the 1840s, during the Scottish Clearances, a period of forced evictions that saw many rural communities lose their homes. The novel explores the differences and connections between people, the impact of history on our beliefs, and the resilience of the human spirit.

“Clear” is a moving, unpredictable, sensitive, and spellbinding novel. It is a profound and pleasurable read that will stay with you long after you finish the last page.

I began reading The Sunset Years of Agnes Sharp by Leonie Swann, translated by Amy Bojang. The book follows a unique group of senior citizens as they try to solve one murder while hiding another, all with the assistance of an innovative tortoise. The mystery is full of twists and turns and is cleverly written by the same author who wrote Three Bags Full, adding a darkly humorous touch to the plot.

It has been an eventful morning for Agnes Sharp and the other inhabitants of Sunset Hall, a house shared by the old and unruly in the sleepy English countryside. Although they have had some issues (misplaced reading glasses, conflicting culinary tastes, decreasing mobility, and gluttonous grandsons), nothing prepares them for an unexpected visit from a police officer with some shocking news. A body has been discovered next door. Everyone puts on a long face for show, but they are secretly relieved the body in question is not the one they’re currently hiding in the shed (sorry, Lillith).

The answer to their little problem with Lillith may have fallen right into their laps. All they have to do is find out who murdered their neighbor so they can pin Lillith’s death on them, thus killing two (old) birds with one stone (cold killer).

Agnes and her group of elderly friends are eager to begin their plan. They believe that creating a mystery will divert suspicion away from themselves. To investigate, they will venture out of their comfort zone and into the less-than-ideal village of Duck End. Along the way, they will encounter suspicious bakers, malfunctioning stairlifts, incompetent criminals, the local authorities, and their hidden secrets.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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I started reading “The God of the Woods: A Novel” by Liz Moore today. Several reviews recommended it as a great summer read. The story is set in August 1975, the same month and year my spouse Jan and I married. Liz Moore weaves a multi-threaded story, inviting readers into a rich and gripping dynasty of secrets and second chances.

The novel begins with a camp counselor discovering an empty bunk at an Adirondack summer camp belonging to thirteen-year-old Barbara Van Laar, who has mysteriously vanished. Barbara is not just any teenager; she is the daughter of the family that owns the camp and employs many residents. What makes this disappearance even more intriguing is that Barbara’s older brother went missing similarly fourteen years ago and was never found.

As the search for Barbara begins, the novel unfolds into a thrilling drama, delving into the deeply buried secrets of the Van Laar family and the blue-collar community working in its shadow. This novel is said to be Liz Moore’s most ambitious and wide-reaching work yet.

Today, I started reading Ghostroots: Stories by ‘Pemi Aguda, a finalist for the 2024 National Book Award for Fiction. This collection features twelve imaginative stories set in Lagos, Nigeria, in which ‘Pemi Aguda explores the tension between our desire to be individuals and the influence of our past. One of the stories, “Breastmilk,” was shortlisted for the 2024 Caine Prize for African Writing.

The story “Manifest” depicts a woman who sees the ghost of her abusive mother in her daughter’s face, which leads to her daughter exhibiting destructive behavior. In “Breastmilk,” a wife forgives her husband for infidelity. Still, she later struggles with producing milk for her newborn, feeling like she’s failed to uphold her mother’s feminist values and doubts her ability as a mother. Things Boys Do” follows a trio of fathers who sense something unnatural about their infant sons, leading to their lives falling apart as they fear their sons are the cause of their troubles. Lastly, “24, Alhaji Williams Street” tells the story of a teenage boy living in the shadow of a mysterious disease that’s killing the boys on his street.

These stories in “Ghostroots” delve into the emotional and physical worlds, unveiling the profound impact of family, myth, tradition, gender, and modernity in Nigerian society. Pemi Aguda’s storytelling, infused with empathy and humor, showcases her as a significant new literary talent. Her deep understanding of human emotions and thorough exploration of these societal influences will leave you feeling enlightened and informed, eager to explore more of her work.

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Beautiful World, Where Are You by Sally Rooney, a writer recommended to me, but I have always kept them on the to-read list, not the current reading. Does a beautiful word exist? Is it possible to live in a beautiful world despite the loss of the love of my life? Perhaps reading  Beautiful World, Where Are You, will help me in my grief journey.

Ms. Rooney’s book was a page-turner, and I highly recommend it.

One of the quotes from the book echoed my dream of a beautiful world.

“When I try to picture for myself what a happy life might look like, the picture hasn’t changed very much since I was a child – a house with flowers and trees around it, and a river nearby, and a room full of books, and someone there to love me, that’s all. Just to make a home there, and to care for my parents when they grow older. Never to move, never to board a plane again, just to live quietly and then be buried in the earth.” ― Sally Rooney, Beautiful World, Where Are You

It also helped remind me how unique and memorable the love that Jan and I shared was. We could quickly fall into a life lived separately as friends, or we might not have ever fallen in love and married.

As Sally Rooney in Beautiful World, Where Are You, wrote:

“If God wanted me to give you up, he wouldn’t have made me who I am.”

The Goodreads summary provides an overview.

Alice, a novelist, meets Felix, who works in a warehouse, and asks him if he’d like to travel to Rome with her. In Dublin, her best friend, Eileen, is getting over a breakup and slips back into flirting with Simon, a man she has known since childhood. Alice, Felix, Eileen, and Simon are still young—but life is catching up with them. They desire each other, they delude each other, they get together, and they break apart. They have sex, they worry about sex, and they worry about their friendships and the world they live in. Are they standing in the last lighted room before the darkness, bearing witness to something? Will they find a way to believe in a beautiful world?

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I recently recommended reading “Brooklyn Crime Novel: A Novel” by Jonathan Lethem. The story is set in 1970s Brooklyn, where a daily ritual occurs on the streets. This ritual involves exchanging money, surrendering belongings, and asserting power. Violence is promised everywhere and becomes a currency itself.

Regardless of race, the street is like a stage in the shadows for the children. In the background, other players hide, including parents, cops, renovators, landlords, those who write the headlines, histories, and laws, and those who award this neighborhood its name.

Although the rules seem apparent initially, in memory’s prism, the roles of criminals and victims may appear to trade places. The voices of the past rise and gather as if in harmony, then war with one another. A street may seem to crack open and reveal what lies behind its shimmering facade. None who lived through it are ever permitted to forget.

Jonathan Lethem has written this story with kaleidoscopic verve and delirious wit, making it a breathtaking tour de force by a writer at the top of his powers. He has crafted an epic interrogation of how we fashion stories to contain the uncontainable: our remorse at the world we’ve made. He is known as “one of America’s greatest storytellers” by the Washington Post.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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I receive a commission when you buy a book or product using a link on this page. Thank you for supporting Sharing Jan’s Love blog.