Black Sun by Rebecca Roanhorse.  Black Sun is the first book in the Between Earth and Sky trilogy, inspired by the civilizations of the Pre-Columbian Americas and woven into a tale of celestial prophecies, political intrigue, and forbidden magic.

I have always enjoyed fantasy novels like Black Sun, and this is the first one set in the Pre-Columbian Americas.

A god will return
When the earth and sky converge
Under the black sun

In the holy city of Tova, the winter solstice is usually a time for celebration and renewal, but this year, it coincides with a solar eclipse, a rare celestial event proscribed by the Sun Priest as an unbalancing of the world.

Meanwhile, a ship launches from a distant city bound for Tova and set to arrive on the solstice. The captain of the ship, Xiala, is a disgraced Teek whose song can calm the waters around her as quickly as it can warp a man’s mind. Her ship carries one passenger. Described as harmless, the passenger, Serapio, is a young man, blind, scarred, and cloaked in destiny. As Xiala well knows, when a man is described as harmless, he usually ends up being a villain.

Will Serapio be harmless or a villain? The answer, my friend, will be known when you read this book or perhaps the second one in the trilogy.

Before meeting and falling forever in love with Jan, I had dreamed of the life of an American Studies professor. Thousands of students are relieved to know I did not pursue that life. If I had opened that door, an area of focus would have been on Pre-Columbian Americas.

I recommend this book and will read the next two in the Between Earth and Sky trilogy.

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Today, I started reading “Martyr! A Novel” by Kaveh Akbar, the last of one of the five finalists for the 2024 National Book Award for Fiction I have read. This is also the 79th book I have read this year, surpassing my record from last year. Kaveh Akbar‘s “Martyr!” is a tribute to our pursuit of meaning in faith, art, ourselves, and others. The story follows Cyrus Shams, the newly sober, orphaned son of Iranian immigrants.

He is guided by the voices of artists, poets, and kings as he embarks on a search for a family secret, which leads him to a terminally ill painter living out her final days in the Brooklyn Museum.

Cyrus Shams, our protagonist, grapples with an inheritance of violence and loss. His mother’s tragic death and his father’s limited life in America have left him with scars. He’s a drunk, a person with a substance use disorder, and a poet, but above all, he’s a human being on a journey of self-discovery. His fascination with martyrs leads him to explore the mysteries of his past, including his uncle’s inspiring yet haunting role on Iranian battlefields and a painting that suggests his mother may not have been who or what she seemed.

“Martyr!” is a novel that’s not just electrifying and funny but also wholly original. It’s a testament to Kaveh Akbar‘s unique storytelling and heralds the arrival of an essential new voice in contemporary fiction. Get ready to be captivated by his narrative prowess.

Today, I embarked on a literary journey into the distinct world of Long Island, a novel by the acclaimed author Colm Toibin. This captivating narrative continues the life of Eilis Lacey, a beloved character from Toibin’s celebrated work Brooklyn, but two decades have passed. Eilis, now in her forties, is married to Tony Fiorello, an Italian-American plumber, and they are raising two teenagers.

The novel offers a fresh perspective on Eilis’s life, struggles, and journey of self-discovery. She lives with Tony’s large and loving extended family on a cul-de-sac in Lindenhurst, Long Island, which plays a significant role in the story. Though Eilis feels connected to her Irish roots, she has yet to return to Ireland in many years.

One fateful day, a visitor arrives unannounced at Eilis’s doorstep, bringing with him a life-altering revelation. He reveals that his wife is carrying Tony’s child and plans to leave the baby with Eilis once it’s born. This unexpected twist throws Eilis into a maelstrom of emotions and a labyrinthine decision-making process. As the emotional core of Toibin’s narrative, this journey of self-discovery and emotional upheaval is sure to hold readers spellbound.

‘Long Island‘ is a poignant exploration of unfulfilled desires and the enigmatic secrets that shape our lives. Eilis’s reticence speaks volumes, and Toibin masterfully gives voice to her concealed yearnings and profound connections. For instance, Eilis often finds herself lost in memories of her life in Ireland, particularly her relationship with her mother. Though unspoken, these recollections lay bare her profound yearning for her homeland and family. This evocative tale of love, longing, and the quest for self-discovery is bound to enthrall readers.

NPR’s Mary Louise Kelly speaks with author Colm Toibin about his new novel Long Island.

In 2024, I started my reading journey with the Booker Prize 2023 winner – Prophet Song, by Paul Lynch. The book presents a chilling and astonishing outlook of a nation sliding into authoritarianism while also painting a profoundly humane portrait of a mother’s struggle to keep her family together. I have not set a goal of the number of books to read in 2024, but this is an excellent first-day pageturner.

It all begins on a dark, rainy evening in Dublin when Eilish Stack, a scientist and mother of four, opens her front door to two officers from Ireland’s newly formed secret police. They are there to interrogate her husband, a trade unionist. Ireland is falling apart as the government is gradually turning towards tyranny. As her world crumbles and the people she loves disappear, Eilish faces the dystopian reality of her country. How far is Eilish willing to go to protect her family? And what, or who, is she ready to leave behind?

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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The Houseboat: A Novel by Dane Bahr was one of 6 New Paperbacks to Read This Week in The New York Times. Miguel Salazar of the Times described it as “A girl claims her boyfriend has been murdered outside a small town in Iowa, and although no body is found, collective suspicion lands on a loner who lives in a rotting houseboat along the Mississippi River. Through chapters that shift in perspective and move through time, Bahr builds to a nail-biting denouement.”

Edward Nese, the regional marshall from Minnesota, was a character that I could identify with, as he was widowed but still married. Of course, in the early 1960s, I was still a middle school student and would probably have been freighted by The Houseboat. 

I recommend this true crime novel. Until the last page, you will be unsure how it will end.

After reading non-fiction history about the assassination of President Garfield, I needed a change of genre.

The Goodreads summary provides an overview,

James Sallis meets Mindhunter in this stylish and atmospheric noir set in a small town in Iowa in the 1960s, a midcentury heartland gothic with plentiful twists and a feverish conclusion.

Local outcast Rigby Sellers lives in squalor on a dilapidated houseboat on the Mississippi River. With only stolen manikins and the river to keep him company, Rigby spirals from the bizarre to the threatening. As a year of drought gives way to a season of storms, a girl is found trembling on the side of the road, claiming her boyfriend was murdered. The nearby town of Oscar turns its suspicions toward Sellers.

Town sheriff Amos Fielding knows this crime is more than he can handle alone. He calls on the regional marshall in Minnesota, and detective Edward Ness arrives in Oscar to help him investigate the homicide and defuse the growing unrest. Ness, suffering from his demons, is determined to put his past behind him and solve the case. But soon, more bodies are found. As Ness and Fielding uncover disturbing facts about Sellers, and a great storm floods the Mississippi, threatening the town, Oscar is pushed to a breaking point even Ness may not be able to prevent.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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Today, I dove into “The Rest Is Memory: A Novel” by Lily Tuck, and it’s already leaving a powerful impression. This poignant tale follows a young Catholic girl’s harrowing journey to Auschwitz, woven in a captivating Rashomon-style narrative showcasing Tuck’s brilliance as a storyteller. Esquire has rightly placed it on their list of Best Books for Fall 2024, and I can see why.

In Tuck‘s skilled hands, “The Rest Is Memory” transforms into an unforgettable piece of historical reclamation, breathing life into an innocent soul who has long been remembered only through a haunting triptych of photographs. It’s a journey that promises to linger in my thoughts long after I’ve turned the last page.

In this mesmerizing novel by Lily Tuck, we first glimpse fourteen-year-old Czeslawa riding on the back of a boy’s motorcycle. Tuck imagines Czeslawa’s upbringing in a small Polish village before her world imploded in late 1942. Stripped of her modest belongings, she arrives at Auschwitz shorn and bearing the tattoo number 26947. Shortly after, she is photographed. Three months later, she is dead.

How did this happen to an ordinary Polish citizen? This is the question Tuck grapples with in this haunting narrative, which frames Czeslawa’s story within the tragic context of the six million Poles who perished during the German occupation. A decade before writing The Rest Is Memory“, Tuck read an obituary of the photographer Wilhelm Brasse, who took over 40,000 pictures of Auschwitz prisoners—including three of Czeslawa Kwoka, a Catholic girl from rural southeastern Poland. Tuck cut out these photos and kept them, determined to learn more about Czeslawa. However, she could only gather the barest facts: the village she came from, the transport she was on, that she was accompanied by her mother and neighbors, her tattoo number, and the date of her death. Tuck crafts a remarkable kaleidoscope of imagination from this scant evidence, something only our greatest novelists can achieve.

Susanna Moore described the novel as “Beautifully written, all the while instilling a sense of horror.” Tuck’s language swirls around the reader, yet no word is out of place. The subtly rotating images tumble forth, accelerating as we learn about Czeslawa’s tragic time in Auschwitz, as well as the lives of real individuals, including the brutal Commandant Rudolf Höss, his unconscionable wife Hedwig, psychiatrist and child rescuer Janusz Korczak, and the sharp Polish short story writer Tadeusz Borowski. Although we know Czeslawa’s fate, we must keep turning the pages, thoroughly captivated by Tuck’s nearly otherworldly prose.