The Candy House: A Novel by Jennifer Egan focuses on a new technology that allows you access to every memory you’ve ever had and to share your memories in exchange for access to the memories of others—it has seduced multitudes. According to the NYTimes, “this is minimalist maximalism. As a widow, I live in a world of memories, but I would not want them shared as they are in The Candy House. “It’s as if Egan compressed a big 19th-century novel onto a flash drive.”

Of course, I am not able to access my unconscious memories. Albeit in an amateur way, I write down some of my memories as they remind me of the power of the love that Jan and I shared. For example, the essay when I met Jan rekindles the memory and attempts to tell the story the way it happened, not how some would like it to be remembered.

The Candy House is one of the NYTimes’ top five fiction books of 2022. I have read two of them, The Furrows and Checkout 19. Initially, I was overwhelmed by the multitude of characters and was confused. By the novel’s middle, their interconnectedness helped me understand its real meaning. In the end, Egan delivers a fierce and exhilarating testament to the tenacity and transcendence of human longing for authentic connection, love, family, privacy, and redemption. As a widow, authenticity Is what I need to heal.

The Candy House is the seventieth (70) book I have read this year. 

The Goodreads summary provides an overview.

It’s 2010. Staggeringly successful and brilliant tech entrepreneur Bix Bouton is desperate for a new idea. He’s forty, with four kids, and restless when he stumbles into a conversation with mostly Columbia professors, one of whom is experimenting with downloading or “externalizing” memory. Within a decade, Bix’s new technology, Own Your Unconscious—that allows you access to every memory you’ve ever had and to share every memory in exchange for access to the memories of others—has seduced multitudes. But not everyone.

In spellbinding linked narratives, Egan spins out the consequences of Own Your Unconscious through the lives of multiple characters whose paths intersect over several decades. Egan introduces these characters in an astonishing array of styles—from omniscient to first person plural to a duet of voices, an epistolary chapter, and a chapter of tweets. In the world of Egan’s spectacular imagination, there are “counters” who track and exploit desires and “eluders” who understand the price of taking a bite of the Candy House.

Intellectually dazzling and extraordinarily moving, The Candy House is a bold, brilliant imagining of a world that is moments away. With a focus on social media, gaming, and alternate worlds, you can almost experience moving among dimensions in a role-playing game.​ Egan delivers a fierce and exhilarating testament to the tenacity and transcendence of human longing for real connection, love, family, privacy, and redemption.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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Today, I began my journey into the enchanting world of “Bel Canto” by Ann Patchett. This captivating novel delves into the realms of love, opera, and the remarkable ways people forge connections across cultural divides during moments of adversity. The New York Times has recognized it as one of the 100 Best Books of the Century.

At the home of the country’s vice president in South America, a lavish birthday party is underway in honor of the powerful businessman Mr. Hosokawa. The evening is perfect, with Roxanne Coss, opera’s most revered soprano, enchanting the international guests with her singing. However, this idyllic scene is shattered when a group of armed terrorists seizes the entire party. Yet, what initially seems like a nightmare gradually transforms into a moment of unexpected beauty and love. The hostages and captors form bonds that transcend their differences, turning strangers into compatriots, intimate friends, and even lovers, a testament to the resilience of the human spirit and the unexpected beauty that can emerge from the most dire situations.

Ann Patchett’s  Bel Canto is a captivating novel that weaves a story of strength and frailty, love and imprisonment, and an inspiring tale of transcendent romance. Her lyrical prose and vivid imagination bring to life a world where love and opera are unifying forces in a crisis. It’s a story that will keep you turning the pages, eager to uncover its secrets and a testament to Patchett’s captivating storytelling that will leave you spellbound. No wonder the New York Times included it on its list of the 100 Best Books of the Century.

Patchett’s beautiful writing and vivid imagination make Bel Canto a compelling tale that explores themes of strength, vulnerability, love, and confinement and ultimately tells an inspiring story of transcendent romance.

Bel Canto differs from Tom Lake by Ann Patchett, which I read nearly a year ago. Tom Lake is a novel that beautifully explores family, love, and coming of age. Patchett once again proves herself as one of America’s finest writers in both books.

My Evil Mother: A Short Story by Margaret Atwood was a free book with your Prime Reading membership. I have always enjoyed reading Ms. Atwood’s books. My Evil Mother was an enjoyable read and reminded me why she is a great author and why short stories are unique and special. As the NY Times described, My Evil Mother, is a bittersweet short story about mothers, daughters’ witches’ brew of love—and control. I highly recommend it as it is one of my best books this year. 

Goodreads provides a concise overview.

Life is hard enough for a teenage girl in 1950s suburbia without having a mother who may—or may not—be a witch. A single mother at that. Sure, she fits in with her starched dresses, string of pearls, and floral aprons. Then there are the hushed and mystical consultations with neighborhood women in distress. The unsavory, mysterious plants in the flower beds. The divined warning to steer clear of a boyfriend whose fate is certainly doomed. But as the daughter of this bewitching homemaker comes of age and her mother’s claims become more and more outlandish, she begins to question everything she once took for granted.

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Mercy Street: A Novel by Jennifer Haigh is a tense, riveting story about the disparate lives intersecting at a Boston women’s clinic. The novel was named Best Book of the Year by the Washington Post, the New Yorker, and the Boston Globe. Mercy Street is a novel for right now, a story of the polarized American present. Ms. Haigh is a gifted storyteller who has written a very readable book that I highly recommend. 

I truly enjoyed Mercy Street. I had read her short story Zenith Man, and I enjoyed her storytelling skill and wanted to read her most recent novel. Until the last few pages, I was unsure how Ms. Haigh‘s intricate storylines could conclude the story. Usually, I can predict how a story will unfold well before I finish reading it. Mercy Street was a rare exception to that rule.

I have never had to run the gauntlet in front of a women’s clinic, but Ms. Haigh has made that experience so real that I could taste it. The day-to-day work of the staff and the clients was detailed and believable. The male characters, Timmy, the affable pot dealer; Anthony, a lost soul; and Excelsior11-the screenname of Victor Prine, were drafted n a credible way.

As stated earlier, I highly recommend this book.

The Goodreads summary provides an overview,

Claudia has counseled patients for almost a decade at Mercy Street, a clinic in the city’s heart. The work is consuming the unending dramas of women in crisis. For its patients, Mercy Street offers more than health care; for many, it is a second chance.

But outside the clinic, the reality is different. Anonymous threats are frequent. A small, determined group of anti-abortion demonstrators appears each morning at its door. As the protests intensify, fear creeps into Claudia’s days, a humming anxiety she manages with frequent visits to Timmy, an affable pot dealer amid his existential crisis. At Timmy’s, she encounters a random assortment of customers, including Anthony, a lost soul who spends most of his life online, chatting with the mysterious Excelsior11–the screenname of Victor Prine. This anti-abortion crusader has set his sights on Mercy Street and is ready to risk it all for his beliefs.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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Today, I started reading “Wild Houses: A Novel” by Colin Barrett and was impressed by the author’s ability to blend dark humor and intense emotions. Colin Barrett, the award-winning author of “Homesickness” and “Young Skins,” has crafted a debut novel that takes readers on a rollercoaster ride of crimes committed out of desperation, abandoned dreams, and small-town secrets that won’t stay hidden. The story is presented with a wry wit that adds to its appeal.

The story is set in the quaint town of Ballina, located in picturesque west Ireland, as it prepares for its biggest weekend of the year. The simmering feud between small-time dealer Cillian English and County Mayo’s fraternal enforcers, Gabe and Sketch Ferdia, spills over into violence and an ugly ultimatum, painting a vivid picture of the town’s underbelly.

The story’s protagonist, Dev, is a reclusive man unwillingly drawn into the Ferdias’ revenge fantasy when he answers the door and finds Doll, Cillian’s bruised, sullen teenage brother, in the clutches of Gabe and Sketch. With the help of his dead mother’s dog, Dev is jostled by his nefarious cousins and is struck by spinning lights as he is goaded into their plan.

Meanwhile, seventeen-year-old Nicky can’t shake the feeling that something terrible has happened to her boyfriend, Doll. Hungover, reeling from a fractious Friday night and plagued by ghosts, Nicky sets out to save Doll, even as she questions her future in Ballina.

“Wild Houses“ is a beautifully crafted and thrillingly told story of two outsiders striving to find themselves as their worlds collapse in chaos and violence. It is the long-anticipated debut novel from award-winning and critically acclaimed short story writer Colin Barrett.

Today I began reading “Study for Obedience” by Sarah Bernstein. With a robust and lyrical voice, Bernstein thoughtfully examines themes of complicity, power, displacement, and inheritance. “Study for Obedience” is a finely-tuned and unsettling novel that establishes Bernstein as one of the most exciting voices of her generation.

A woman moves to her forebears’ remote northern home to be a housekeeper for her brother, whose wife left him. After arriving, strange events occur bovine hysteria, a ewe’s death, a dog’s phantom pregnancy, and potato blight. Suspicion towards newcomers seems directed at her, and she feels threatened. The hostility grows, and she fears what might happen.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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Victory City: A Novel by Salman Rushdie is an epic tale of a woman who breathes a fantastical empire into existence, only to be consumed by it over the centuries from the transcendent imagination of Booker Prize-winning, internationally bestselling author Salman Rushdie. It is well written and was a page-turner from page one to the end. I highly recommend this novel and encourage everyone to read it.

Brilliantly styled as a translation of an ancient epic, this is a saga of love, adventure, and myth that is a testament to storytelling’s power. After witnessing her mother’s death, the grief-stricken Pampa Kampana becomes a vessel for the goddess Parvati, who begins to speak out of the girl’s mouth. I was hooked when Pampa Kampana provided the seeds that created Victory City out of thin air.

David Remnick’s interview with Salman Rushdie in The New Yorker provided background I would have missed.

“The first kings of Vijayanagara announced, quite seriously, that they were descended from the moon,” Rushdie said. “So when these kings, Harihara and Bukka, announce that they’re members of the lunar dynasty, they’re associating themselves with those great heroes. It’s like saying, ‘I’ve descended from the same family as Achilles.’ Or Agamemnon. And so I thought, Well, if you could say that, I can say anything.”

Above all, the book is buoyed by the character of Pampa Kampana, who, Rushdie says, “just showed up in my head” and gave him his story, his sense of direction. Rushdie’s pleasure in writing the novel was in “world building” and, at the same time, writing about a character building that world: “It’s me doing it, but it’s also her doing it.” The pleasure is infectious. “Victory City” is an immensely enjoyable novel. It is also an affirmation. At the end, with the great city in ruins, what is left is not the storyteller but her words:

I, Pampa Kampana, am the author of this book.
I have lived to see an empire rise and fall.
How are they remembered now, these kings, these queens?
They exist now only in words . . .
I myself am nothing now. All that remains is this city of words.
Words are the only victors.

The Goodreads summary provides a brief overview,

In the wake of an insignificant battle between two long-forgotten kingdoms in fourteenth-century southern India, a nine-year-old girl has a divine encounter that will change the course of history. After witnessing her mother’s death, the grief-stricken Pampa Kampana becomes a vessel for the goddess Parvati, who begins to speak out of the girl’s mouth. Granting her powers beyond Pampa Kampana’s comprehension, the goddess tells her that she will be instrumental in the rise of a great city called Bisnaga–literally victory city–the wonder of the world.

Over the next two hundred and fifty years, Pampa Kampana’s life becomes deeply interwoven with Bisnaga’s, from its literal sowing out of a bag of magic seeds to its tragic ruination in the most human of ways: the hubris of those in power. Whispering Bisnaga and its citizens into existence, Pampa Kampana attempts to make good on Parvati’s task: giving women equal agency in a patriarchal world. But all stories have a way of getting away from their creator, and Bisnaga is no exception. As years pass, rulers come and go, battles are won and lost, and allegiances shift, the very fabric of Bisnaga becomes an ever more complex tapestry–with Pampa Kampana at its center.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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I receive a commission when you buy a book or product using a link on this page. Thank you for supporting Sharing Jan’s Love blog.