I began reading “The Extinction of Irena Rey” by Jennifer Croft today. The novel is about eight translators searching for a world-famous author, Irena Rey, who has gone missing in a primeval Polish forest. The translators have come from eight different countries and share a deep admiration for Irena Rey. Their mission is to translate her masterpiece, “Gray Eminence,” but their task takes an unexpected turn when Irena disappears within days of their arrival.

The translators begin to investigate where Irena may have gone while continuing to work on her book. They explore the ancient wooded refuge, with its intoxicating slime molds and lichens, and study Irena’s exotic belongings and layered texts for clues. However, their search reveals secrets and deceptions that they are unprepared for. As they grow increasingly paranoid in this isolated and obsessive fever dream, the translators are forced to confront their differences, and their rivalries and desires threaten not only their work but also the fate of Irena Rey herself.

This debut novel is a brilliant exploration of art, celebrity, the natural world, and the power of language. It is a thought-provoking narrative blends humor and adventure, taking readers on an unforgettable journey with a small yet diverse cast of characters. These characters, shaken by the shocks of love, destruction, and creation, find themselves in one of Europe’s last great wildernesses, where the fate of their beloved author hangs in the balance.

Today, I began reading Sayaka Murata‘s Vanishing World, translated by Ginny Tapley Takemori. This novel, from the author of the bestselling literary sensations Convenience Store Woman and Earthlings, presents a surprising and highly imaginative story set in an alternate version of Japan where sexual relations between married couples have disappeared, and all children are conceived through artificial insemination.

Sayaka Murata has established herself as a remarkable observer of society’s peculiarities, delving into our contemporary world with bizarre and unsettling insights. Her portrayals of a contentedly unmarried retail worker in Convenience Store Woman and a young woman who believes she is an alien in Earthlings have resonated with millions of readers globally. In Vanishing World, Murata takes her vision to a bold new level, envisioning an alternative Japan where attitudes toward sex and procreation diverge significantly from our own.

As a girl, Amane is horrified to learn that her parents “copulated” to conceive her rather than using artificial insemination, which became the norm in the mid-twentieth century. She seeks to escape what she perceives as her mother’s indoctrination into this peculiar “system.” Despite her efforts, Amane’s attractions to both anime characters and real people carry an undeniable sexual weight.

As an adult in a suitably sexless marriage—where sex between married couples is regarded as taboo, akin to incest—Amane and her husband, Saku, decide to relocate to a mysterious new town called Experiment City, or Paradise-Eden. In this community, all children are raised collectively, and every person is considered a mother to all children. Men are beginning to experience pregnancy through artificial wombs that exist outside their bodies, resembling balloons, and children are nameless, referred to simply as “Kodomo-chan.” Will this new world finally cleanse Amane of her strangeness?

Sayaka Murata is the author of several books, including Convenience Store Woman, which won the Akutagawa Prize, Earthlings, and Life Ceremony. Freeman has recognized her as a “Future of New Writing” author, and Vogue Japan has honored her as a Woman of the Year.

Ginny Tapley Takemori has translated works from more than a dozen Japanese writers, including Ryu Murakami. She resides at the foot of a mountain in Eastern Japan.

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Today, I started reading “Nothing But the Truth,” the fourth book in Robyn Gigl‘s Erin McCabe Legal Thriller series. The New York Times has selected it as one of the Best Crime Novels 2024. I have also read “The Hunter” and “Gods of Wood,” which are on the same list. Nothing but the Truth is a gripping and timely thriller exploring murder, prejudice, and police corruption.

One of the reasons I decided to read this novel is that it—and the entire series—takes place mainly in Union County, particularly in Cranford, my hometown! Erin McCabe and her law partner get salads from the Gourmet Deli, and she dines with her husband at the Cranford Hotel. In this installment, Erin McCabe, a transgender attorney from the Garden State, discovers that uncovering the Truth can be deadly.

New Jersey State Trooper Jon Mazer has been charged with killing Black investigative reporter Russell Marshall in a racially charged, headline-making murder. The evidence against criminal defense attorney Erin McCabe’s new client is overwhelming. The gun used is Mazer’s off-duty weapon. Fingerprints and carpet fibers link Mazer to the crime. And Mazer was patrolling Marshall’s neighborhood shortly before the victim took three bullets to the chest. Mazer’s argument? He’s a gay officer being set up to take the fall in an even bigger story.

Mazer swears he was a secret source for Marshall’s exposé about the Lords of Discipline. The covert gang operating within the New Jersey State Police is notorious for enforcing its code of harassing women, framing minorities, and out-powering any troopers who don’t play their rogue and racist games. With everyone from the governor to the county prosecutor on the wrong side of justice, Erin and her partner, Duane Swisher, are prepared to do anything to ensure Mazer doesn’t become another victim.

As Erin deals with an intensely personal issue at home and faces an uphill battle to prove her client’s innocence, she and Duane find themselves mired in a conspiracy of corruption more profound than they imagined—and far more dangerous than they feared.

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Taut, propulsive, and dazzling, A Marriage at Sea: A True Story of Love, Obsession, and Shipwreck by Sophie Elmhirst combines an adrenaline-fueled high-seas adventure with a poignant love story. The book examines our fascination with challenging individuals and how we grow under extreme conditions. The book was one of Barack Obama’s favorite reads of 2025. Additionally, it has been featured in The New York Times’ Top 10 Books of 2025 and has received accolades as a Best Book of 2025 from NPR, Vogue, Time Magazine, and The New Yorker.

Maurice and Maralyn make an odd couple. He is a loner—awkward and obsessive—while she is charismatic and ambitious. Despite their differences, they share a dread of wasting their lives and, like many of us, dream of escaping it all. What if they quit their jobs, sold their house, bought a boat, and sailed away?

While most of us only daydream about such adventures, in June 1972, Maurice and Maralyn actually set sail. For nearly a year, everything went well until a breaching whale struck their boat, sinking it in the deep Pacific Ocean.

What follows is a jaw-dropping fight for survival in the wild ocean, with little hope of rescue. Alone together for months in a tiny rubber raft, starving and exhausted, Maurice and Maralyn must find ways to stay alive while also coping with each other as their inner demons emerge. Their marriage is put to the ultimate test as they realize that, although they can run away from the world, they cannot escape themselves. A Marriage at Sea is a mind-blowing tale of obsession, survival, and partnership.

Sophie Elmhirst is an award-winning journalist who writes regularly for The Guardian Long Read and The Economist; her work has also appeared in The New York Times Magazine, The New Yorker, and Harper’s Bazaar, among other places. She’s the winner of the British Press Award for Feature Writer of the Year and a Foreign Press Award. She lives in London and is the author of A Marriage at Sea.

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I started reading “Do You Remember Being Born?” by Sean Michaels, a writer who won the Scotiabank Giller Prize. The novel is about an aging poet named Marian Ffarmer, a legend in the world of poetry. However, despite her success, she struggles with financial issues and her son’s inability to buy a house. Marian has sacrificed her personal relationships and happiness to pursue her career but questions whether it is worth it.

One day, she receives an invitation from a Tech Company to travel to California and work with their poetry AI, Charlotte. The company wants her to co-author a poem with their bot in a historic partnership, which clashes with Marian’s beliefs about the individual pursuit of art. However, she decides to take this opportunity, even though it makes her feel like a sell-out and a skeptic. The encounter in California changes her life, work, and understanding of kinship.

The book explores the nature of language, art, labor, capital, family, and community. It’s a response to some of the most disquieting questions of our time. The author, Sean Michaels, is a winner of the Scotiabank Giller Prize, and his book is a love letter to and interrogation of the creative legacy. It’s a joyful recognition that belonging to one’s art must mean belonging to the world to survive meaningfully.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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Today, I embarked on the journey of Kate Atkinson‘s ‘Life After Life,’ a novel that has secured its place among The New York Times 100 Best Books of the Century. The book presents a unique and thought-provoking premise: What if you could live multiple lives until you found the perfect one? With its darkly comic, startlingly poignant, and utterly original narrative, it’s a testament to Kate Atkinson‘s unparalleled storytelling prowess.

The story unfolds in a unique narrative structure, beginning on a cold and snowy night in 1910 when Ursula Todd is born to an English banker and his wife. She dies before drawing her first breath. However, on that same night, Ursula Todd is born again, lets out a loud cry, and starts a life that will be pretty unusual. As she grows up, she also dies repeatedly in various ways while the young century moves inexorably toward its second cataclysmic world war.

Could Ursula’s seemingly endless life be the key to altering the world’s inevitable destiny? The prospect is both thrilling and hopeful. Yet, the question lingers – if she possesses this power, will she choose to wield it?