Today, I dove into Jennifer Haigh‘s gripping new release, Rabbit Moon. Set against the vibrant backdrop of Shanghai, this tense and riveting drama unravels the complexities of a fractured American family. It explores hidden secrets and the unbreakable bond between two sisters. Ms. Haigh, the New York Times bestselling author of Mercy Street, which I read last year, weaves a tale that promises to keep readers on the edge of their seats.

Four years after their bitter divorce, Claire and Aaron Litvak receive a phone call that no parent is prepared for: their 22-year-old daughter Lindsey, who is teaching English in China during her college gap year, has been critically injured in a hit-and-run accident. As they wait at her bedside in a Shanghai hospital, they hold onto hope for the best while preparing for the worst.

The accident exposes a deeper rift within the family: it brings to light the shocking events that ended the Litvaks’ marriage and turned Lindsey against them. Estranged from her parents, Lindsey has confided only in her younger sister, Grace, who was adopted from China as an infant. As Claire and Aaron navigate the bustling, cosmopolitan atmosphere of Shanghai—the newly prosperous “miracle city”—they face unsettling questions about Lindsey’s life there, where nothing is as it seems.

With her trademark psychological insight, Jennifer Haigh crafts a taut and suspenseful story about the enduring ties of marriage that divorce cannot sever and the legendary red thread that connects two sisters across time and space. Ms. Haigh again demonstrates that she is, as The New York Times describes her, “an expertly nuanced storyteller…her work is gripping, real, and immersive.”

Jennifer Haigh is the author of seven best-selling, critically acclaimed works of fiction. Her first, Mrs. Kimble, won the PEN Hemingway Award for debut fiction. Her latest, Mercy Street, was named a Best Book of 2022 by the New Yorker and won the Mark Twain American Voice in Literature Award. A Guggenheim fellow and Iowa Writers’ Workshop graduate, she lives in Boston.

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Today, I began reading Margarita Liberaki‘s Three Summers, translated by Karen Van Dyck. This edition features a detailed introduction by Ms. Van Dyck, in which she shares her experiences meeting Ms. Liberaki and collaborating with her on the translation. The original novel, written in Greek, was titled The Straw Hats, but Ms. Van Dyck felt that this title would not resonate with foreign readers similarly.

Three Summers is the story of three sisters who grew up in the countryside near Athens before the outbreak of the Second World War. The sisters live in a large, old house surrounded by a beautiful garden. The oldest sister, Maria, is adventurous and eager to settle down and start her own family. The middle sister, Infanta, is gorgeous but emotionally distant. Katerina, the narrator, and the youngest sister is dreamy and rebellious.

Throughout three summers, the sisters share and keep secrets, fall in and out of love, and try to understand their parents and other adult figures. They also observe the peculiar behaviors of friends and neighbors while worrying about and discovering their identities. Karen Van Dyck’s translation beautifully captures the light and warmth of this modern Greek classic.

Margarita Liberaki (1919-2001) was born in Athens and raised by her grandparents, who owned the Fexis bookstore and publishing house. In addition to her novel Three Summers, she authored The Other Alexander (1950) and The Mystery (1976). She also wrote several plays, including Candaules’ Wife (1955) and The Danaïds (1956), part of a cycle she called Mythical Theater. Furthermore, she contributed screenplays, such as Jules Dassin’s Phaedra (1962) and Diaspora (1999), which focused on Greek intellectuals in exile in Paris during the junta. Her novel Three Summers is now a standard part of public education in Greece and Cyprus and was adapted into a television miniseries in 1995.

Karen Van Dyck is the Kimon A. Doukas Professor of Modern Greek Literature at Columbia University. Her research focuses on modern Greek literature, diaspora literature, gender studies, and translation. She has edited or co-edited several poetry anthologies, including A Century of Greek Poetry (2004), The Greek Poets: Homer to the Present (2010), and Austerity Measures: The New Greek Poetry (2017) for NYRB Poets. Additionally, her translations have appeared in Brooklyn Rail, Asymptote, and The Baffler.

When you purchase a book through one of my links, I earn a small commission that helps support my passion for reading. This contribution allows me to buy even more books to share with you, creating an incredible cycle of discovering great reads together! Your support truly makes a difference!

I began to read “The Great Divide: A Novel” by Cristina Henriquez today. The book stood out for its compassionate exploration of the lives of activists, fishmongers, laborers, journalists, neighbors, doctors, and soothsayers. It sheds light on individuals whose essential contributions history overlooks. The novel weaves these characters’ stories in a unique and compelling narrative structure.

Set against the backdrop of the yet-to-be-built Panama Canal, the book delves into the lives of various characters. Francisco, a local fisherman, resents the foreign powers vying for control of his homeland. His son, Omar, works in the excavation zone, seeking connection in a rapidly changing world.

Sixteen-year-old Ada Bunting, from Barbados, stows away in Panama to find work and fund her ailing sister’s surgery. When she encounters Omar, who collapsed after a grueling shift, she rushes to his aid, setting off a chain of events that will change their lives.

John Oswald, a scientist dedicated to eliminating malaria, is in Panama when his wife, Marian, falls ill. Witnessing Ada’s bravery and compassion, he hires her as a caregiver, setting off a tale of ambition, loyalty, and sacrifice.

American Dirt by Jeanine Cummins is one of the best books I have read this year.

American Dirt is a “cross-genre novel that combines elements of a commercial thriller, literary fiction, suspense, and romance.” American Dirt refers to the land that is the United States of America and to the difficulty undocumented migrants face both before and after crossing the border.

According to SuperSummary,

Lydia Quixano Pérez, a bookstore owner in Acapulco, saves her son Luca from a massacre that wipes out their entire family at a quinceañera cookout. The perpetrators are three sicarios, killers for Los Jardineros, a violent local cartel. Javier Crespo Fuentes, Lydia’s close friend and the jefe of Los Jardineros, ordered the hit in retaliation for an exposé written by Lydia’s husband, a journalist named Sebastián Pérez Delgado. Javier’s murderous rage stems not from the article itself, but from the impact it has on his daughter, Marta, who commits suicide when she learns of her father’s true identity. Lydia and Luca spend the rest of the novel running from Javier’s men, encountering a diverse cast of migrants along the road to the US.

I read the book at the same time that Haitian migrants were being deported at the border. Ms. Cummins writes passionately about the plight of migrants and the difficulties they face as they seek a new life in the US. This book highlighted this to me in ways that I understood intellectually but not emotionally.

Ms. Cummins refers to a sign she saw in Spanish in Tijuana while she was researching this book:

También de este lado hay sueños.

On this side, too, there are dreams.

All of our ancestors were migrants, and they all had dreams of a better life. We need to find a better way to help those who now have goals find a home so that their hopes for a better future can come true.

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The School for Good Mothers by Jessamine Chan is a searing page-turner that is also a transgressive novel of ideas about the perils of “perfect” upper-middle-class parenting; the violence enacted upon women by both the state and, at times, one another; the systems that separate families; and the boundlessness of love, The School for Good Mothers introduces, in Frida, an everywoman for the ages.

Although it has been forty-two years since I became a parent, I still remember the anxiety of being a father. What if I could not be a good dad? Fortunately, I never had a bad like Frida. or lived in an age where parents would be sent to “a Big Brother-like institution that measures the success or failure of a mother’s devotion.”

Reading The School for Good Mothers was a reminder that solutions like this are possible unless we are willing to invest in families so that the skills and support are there to resolve any issues in the home. As a widow, I found Frida’s inner dialogue comparable to the early stages of my grief journey—the total isolation and fear of failing dominated my first months of mourning.

The School for Good Mothers had been on my book list since the middle of last year. I recommend it without reservations! Jan would have already read it, and we would be debating its fine points.

The Goodreads summary provides an overview,

In this taut and explosive debut novel, one lapse in judgement lands a young mother in a government reform program where custody of her child hangs in the balance.

Frida Liu is struggling. She doesn’t have a career worthy of her Chinese immigrant parents’ sacrifices. She can’t persuade her husband, Gust, to give up his wellness-obsessed younger mistress. Only with Harriet, their cherubic daughter, does Frida finally attain the perfection expected of her. Harriet may be all she has, but she is just enough.

Until Frida has a very bad day.

The state has its eyes on mothers like Frida. The ones who check their phones, letting their children get injured on the playground; who let their children walk home alone. Because of one moment of poor judgment, a host of government officials will now determine if Frida is a candidate for a Big Brother-like institution that measures the success or failure of a mother’s devotion.

Faced with the possibility of losing Harriet, Frida must prove that a bad mother can be redeemed. That she can learn to be good.

Using dark wit to explore the pains and joys of the deepest ties that bind us, Chan has written a modern literary classic.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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I began reading “I’ll Come to You: A Novel” by Rebecca Kauffman today. This sweeping and compact novel explores themes of intimacy, memory, loss, grief, and reconciliation. It delves into the wonder, terror, frustration, fear, and magic of confronting the unknowable in the world and within ourselves. The New York Times recommended it as one of six books to read this week.

I’ll Come to You is a modern and classic story of a family that follows intersecting lives throughout 1995, centered around the anticipation and arrival of a child. Through empathy, insight, and humor, Rebecca Kauffman delves into overlapping narratives: a couple struggling to conceive, which has both softened and hardened their relationship; a woman whose husband of forty years has left her without explaining why; and the man who is disastrously trying to win her affection. Additionally, there’s a couple in denial about an impending health crisis and their son, who is awkwardly navigating middle age while unable to stop lying.

Ultimately, these storylines build to a dramatic and harrowing climax. With heart, wit, and courage, the characters confront challenges that test and define their family bonds.

When you purchase a book through one of my links, I earn a small commission that helps support my passion for reading. This contribution allows me to buy even more books to share with you, creating an incredible cycle of discovering great reads together! Your support truly makes a difference!