“Switzy” by Emma Cline is a captivating exploration of an aging man’s final journey. Written by the award-winning author of “The Girls” and “The Guest,” the story follows David as he prepares to arrive in Zurich. Throughout the narrative, the story unfolds as a vividly rendered portrait of an unraveling mind. The tale is darkly humorous and deeply moving, presenting a mystery layered with others. The world, once so familiar, has become inscrutable.

Hypnotic and strikingly original, “Switzy” explores the depths of human consciousness, examining what remains for a man when the accomplishments and compromises that have defined him, along with the illusions he has relied on, vanish.

A private plane glides through the winter night, somewhere over Greenland. David, a retired executive, leans back in his leather seat and plays solitaire on his phone. Click. Click. Drag. Click. He has filled the notebook in his jacket pocket with familiar phrases and urgent reminders, but he struggles to recognize his own handwriting.

This is what David knows: Cody, his assistant, is asleep in the seat next to him and will guide him along the journey. He will stop in London, have dinner with his adult daughter, and meet an old friend in France he has been estranged from for decades.

David’s final destination is Zurich.

As he moves through hotel rooms, airports, and foreign cities, he feels his mortal life slipping away. His grip on the present weakens, and memories flood in: childhood Sunday roasts, stiff clothes reserved for church, and a summer spent at a friend’s house. He reflects on the losses and missteps that have marked his life.

Emma Cline is a New York Times bestselling author known for “The Guest”, “The Girls”, and the short story collection “Daddy”. “The Girls” was a finalist for several prestigious awards, including the Center for Fiction’s First Novel Prize, the National Book Critics Circle John Leonard Award, and the Los Angeles Times Book Prize. It was also selected as a New York Times Editor’s Choice and won the Shirley Jackson Award. Additionally, “The Guest” was longlisted for the PEN/Faulkner Award.

Cline’s stories have appeared in prominent publications such as “The New Yorker”, “Granta”, “The Paris Review”, and in “The Best American Short Stories” anthologies. She has received an O. Henry Award and the Plimpton Prize from “The Paris Review” and was recognized as one of Granta’s Best Young American Novelists.

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1978: It is the first Thursday in August, and temperatures are flirting with ninety when Mira Winston, eighteen years old, drives a golf ball from her tee toward the practice net near the clubhouse and caddy shack. The golf ball, weighing 1.6 ounces, tears through the net, traveling 150 miles per hour, and slams, with sickening force, into the temple of a high school junior named Kenny Foster, rupturing an artery and unleashing a torrent of blood.

Kenny brings his hand to the side of his head, then topples onto his side. He’s dead before the ambulance even arrives.

In the wake of this terrible accident—and everyone, at first, agrees it was an accident—Mira looks for comfort in all the wrong places: In her lover, Theo Catton, a married man three decades her senior. In her mother, a well-kept woman with secrets of her own. In the dead caddy’s little sisters, girls bewildered by grief. But when investigators look more closely at the torn net, when a detective recalls Mira’s history of recklessness, and when Kenny’s father spies Mira with her married lover, the affluent, mannered community turns on this once-promising young woman.

A gripping story that takes the reader from the sun-soaked greens of a tony Westchester country club to the fluorescent-lit stand of a county courtroom, The Amateur asks: What happens when one small moment—a swing, a ball, a piece of string—changes the course of an entire life?

Chris Bohjalian is the #1 New York Times bestselling author of twenty-five books, including The Princess of Las Vegas, The Lioness, Hour of the Witch, Midwives, and The Flight Attendant, which was a Max series starring Kaley Cuoco. His other books include The Guest Room; Close Your Eyes, Hold Hands; The Sandcastle Girls; Skeletons at the Feast; and The Double Bind. His novels Secrets of Eden, Midwives, and Past the Bleachers were made into movies, and his work has been translated into more than thirty-five languages. His novels have been selections of Oprah’s Book Club.

He is also a playwright (The Club, Midwives, and Wingspan). He lives in Vermont with his wife, photographer Victoria Blewer, and can be found at chrisbohjalian.com or on Facebook, Instagram, Threads, TikTok, X (formerly Twitter), Litsy, and Goodreads, @chrisbohjalian.

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The Calamity Club is an emotional rollercoaster that promises to evoke laughter, tears, and resounding cheers. It is a stirring tribute to the resilience of underestimated women who discover that even amid chaos and misfortune, there is room for transformative new beginnings. Kathryn Stockett showcases her remarkable storytelling prowess, blending confidence, heartfelt emotion, and sharp humor.

This book marks the triumphant return of one of our generation’s most cherished authors, inviting readers into a world where calamity becomes a catalyst for growth and triumph.

Oxford, Mississippi, 1933.

Abandoned by her mother on Christmas Eve, eleven-year-old Meg Lefleur has learned to rely on no one. Now one of the unadoptable “big girls” at the Lafayette County Orphan Asylum, she fights each day to keep her spirit unbroken.

Birdie Calhoun, unmarried and outspoken, comes to Oxford seeking help from her socialite sister for their struggling family. However, as the Great Depression tightens its grip, Birdie discovers that her sister’s seemingly charmed life is actually a tapestry of lies.

Then, Birdie meets Charlie, a woman running low on luck with little left to lose. When their fates—along with Meg’s—converge, Charlie devises an audacious plan for them to take control of their lives. But in an era where hypocrisy is rampant, and women’s freedom is fragile, even the smallest act of defiance can have dangerous consequences.

Kathryn Stockett was born and raised in Jackson, Mississippi. After graduating from the University of Alabama, she moved to New York City, where she spent nine years working in magazine publishing and marketing. Her debut novel, The Help, has sold over 15 million copies worldwide. She currently divides her time between Mississippi and New York City.

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“John of John” is a captivating novel that explores themes of duty, passion, and the transformative power of truth. This remarkable literary work solidifies Douglas Stuart‘s reputation as one of the greatest contemporary novelists. The story follows a young man who returns to his home on a Hebridean island, depicting the complex relationship between a father’s expectations and a son’s desires.

Out of money and with little to show for his art school education, John-Calum Macleod takes the ferry back home to the Isle of Harris in the Outer Hebrides to find that little has changed except for him. He returns to the windswept croft and the two pillars of his childhood: his father John, a sheep farmer, tweed weaver, and lay preacher in the local Presbyterian church, and his maternal grandmother Ella, a profanity-loving Glaswegian whose steady warmth helped Cal weather the sudden departure of his mother.

Cal privately wonders if any lonely men might be found on the barren hillsides of home, while John is dismayed by his son’s long hair, strange clothes, and seeming unwillingness to be saved. But Cal isn’t the only one in the croft house who is keeping secrets. As lambing season turns to shearing season, the threads holding the community together become increasingly frayed, and nothing will remain as it was before.

Douglas Stuart is a Scottish-American author. His New York Times bestselling debut novel Shuggie Bain won prizes including the 2020 Booker Prize and the Sue Kaufman Prize from the American Academy of Arts and Letters, was a finalist for the National Book Award and the PEN/Hemingway Award, and was named one of the “25 Best Books of the 21st Century” by the Sunday Times (UK). His second novel, Young Mungo, was a national bestseller, longlisted for the Andrew Carnegie Medal and a finalist for the British Book Award, and one of the most highly acclaimed books of the year. His stories are published in The New Yorker, and his essays have featured on Literary Hub. He lives in New York City.

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An end-of-the-world love story, Earth 7 is filled with both pathos and humor, exploring what aspects of our planet can still be cherished. Unfortunately, the tale of planet Earth is disheartening; it has been diminished to little more than a lump of burnt coal. However, as Deb Olin Unferth demonstrates in her latest electrifying novel, life and love can endure even in the most unexpected and inhospitable circumstances.

Two women meet on a beach of artificial sand. One was raised in a pod in the ocean, and the other may or may not be a robot. Their love—or any love—seems so unlikely. Earth is severely depopulated. Some people have given up, gone off to Mars. Others pursue eternal life as digital code. And yet others, like Dylan and Melanie, are holdouts—and some of those holdouts are constructing a vast molecular collection in hopes that a future person may be alive to make a new Earth. Foolhardy? Misguided? Quixotic? Probably. But what can a human (or a robot) do?

By the end of Unferth’s wild, poetic, revelatory, and slyly philosophical novel, the reader has traveled to the very edges of the cosmos as a “soul globule” and between grains of sand as a microscopic tardigrade. A slim book tackling big questions (is all matter conscious? will we tech ourselves into salvation, or out of existence?), Earth 7 is a poignant inquiry into death, mourning, and indefatigable life, the most exhilarating work to date by one of our most original and beloved writers.

Deb Olin Unferth is the author of six books, including Barn 8 and Wait Till You See Me Dance. She has received a Guggenheim Fellowship and three Pushcart Prizes and was a finalist for the National Book Critics Circle Award. Her work has appeared in Granta, Harper’s, McSweeney’s, and The Paris Review.

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Elizabeth Strout, as we have come to expect, delivers a moving exploration of the human condition—one that brims with compassion for every one of her indelible characters. With exquisite prose and profound insight, The Things We Never Say takes one man’s fears and loneliness and makes them universal. And in the same breath, it captures the abiding love that sustains and holds us all.

Artie Dam is living a double life. He spends his days teaching history to eleventh graders, expanding their young minds, correcting their casual cruelties, and lending a kind word to those who need it most. He goes to holiday parties with his wife of three decades, makes small talk with neighbors, and, on weekends, takes his sailboat out on the beautiful Massachusetts Bay. He is, by all appearances, present and alive. But inside, Artie is plagued by feelings of isolation. He looks out at a world gone mad—at himself and the people around him—and turns a question over and over in his mind: How is it that we know so little about one another, even those closest to us?

And then, one day, Artie learns that life has been keeping a secret from him, one that threatens to upend his entire world. Once he learns it, he is forced to chart a new course, to reconsider the relationships he holds most dear—and to make peace with the mysteries at the heart of our existence.

Elizabeth Strout is the #1 New York Times bestselling author of Tell Me Everything; Lucy by the Sea; Oh William!, which was shortlisted for the Booker Prize; Olive, Again; Anything Is Possible, winner of the Story Priz My Name Is Lucy Barton; The Burgess Boys; Olive Kitteridge, winner of the Pulitzer Prize; Abide with Me; and Amy and Isabelle, winner of the Los Angeles Times Art Seidenbaum Award for First Fiction and the Chicago Tribune Heartland Prize. She has also been a finalist for the PEN/Faulkner Award and the Orange Prize in London.

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Written with the same depth of character and insight that readers have come to expect from author Amy Bloom‘s novels and memoirs, “Blunt Instrument” is an engaging and entertaining mystery featuring a clever, complex protagonist. The case of the bludgeoned lecturer has left everyone at Cromwell University reeling, even though the elderly Professor Bullfinch wasn’t particularly well-liked.

His ornery nature and Old World approach to campus politics ruffled more than a few feathers over the years, and present tensions within his department mean there are more suspects than mourners in the wake of his death. And the murder weapon—a bronze bust of Nathaniel Hawthorne—does seem to indicate that the attack may have been academically motivated…

Enter Dell Chandler, the failed English professor turned self-taught private detective whom Dr. Cutty calls in to investigate the crime. She has the background to tease out the motives among the staff and just enough experience to conduct a thorough inquiry. If she solves the case before the cops do, the university could keep the whole thing quiet, avoiding sensational media about the dark side of campus life. But to do so, she’ll have to dodge her own demons from her past life as a disgraced academic.

Amy Bloom is the New York Times bestselling author of novels, short stories, memoir, and nonfiction. She has written for magazines such as The New Yorker, New York Magazine, The New York Times Magazine, Vogue, Elle, The Atlantic, Slate, and Salon. Her work has been translated into seventeen languages. Blunt Instrument is her first crime novel. Amy resides in Connecticut and recently retired as Wesleyan University’s Shapiro-Silverberg Professor of Creative Writing, while continuing to work as a psychotherapist and a novelist.

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With the wisdom, playfulness, and explosive imagination we’ve come to expect from George Saunders, Vigil addresses some of the most pressing issues of our time, including corporate greed, the toll of capitalism, and the environmental dangers associated with progress. In doing so, it weaves a narrative that explores themes of life and death, good and evil, and the complex question of absolution. The New York Times has listed it as one of “The Novels Everyone Will Be Talking About in 2026.”

Not for the first time, Jill “Doll” Blaine finds herself hurtling toward earth, reconstituting as she falls, right down to her favorite black pumps. She plummets towards her newest charge, yet another soul she must usher into the afterlife, and lands headfirst in the circular drive of his ornate mansion.

She has performed this sacred duty 343 times since her own death. Her charges, as a rule, have been greatly comforted in their final moments. But this charge, she soon discovers, isn’t like the others. The powerful K. J. Boone claims he has nothing to regret. He lived a big, bold, epic life, and the world is better for it. Isn’t it?

Vigil transports us, careening, through the wild final evening of a complicated man. Visitors begin to arrive (worldly and otherworldly, alive and dead), clamoring for a reckoning. Birds swarm the dying man’s room; a black calf grazes on the love seat; a man from a distant, drought-ravaged village materializes; two oil-business cronies from decades past show up with chilling plans for Boone’s post-death future.

George Saunders is the author of thirteen books, including the novel Lincoln in the Bardo, which won the Booker Prize, and five collections of stories, including Tenth of December, which was a finalist for the National Book Award, and the recent collection Liberation Day (selected by former President Obama as one of his ten favorite books of 2022).

Three of Saunders’s books—Pastoralia, Tenth of December, and Lincoln in the Bardo—were chosen for The New York Times’s list of the 100 Best Books of the 21st Century. Saunders hosts the popular Story Club on Substack, which grew out of his book, A Swim in a Pond in the Rain. In 2013, he was named one of Time’s 100 Most Influential People. He teaches in the creative writing program at Syracuse University.

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The Field of Blood: Violence in Congress and the Road to Civil War by Joanne B. Freeman, Professor of History and American Studies at Yale University, is a must-read in our hyper-partisan times. The partisanship and divisiveness of the period before the Civil War have many parallels to our time, and the difference is the violence of the Civil War era. Professor Freeman recovers the long-lost story of physical violence on the floor of the U.S. Congress.

She can do this by first source materials from Benjamin Brown French. He was never elected to office but was an acquaintance of twelve consecutive presidents, from Andrew Jackson to Ulysses S. Grant. In addition, he maintained a diary for forty years that highlighted the violence and his and the nation’s political transformation.

During much of this period, he was the Clerk in the House.  His diary documents the violence that did not get covered by the press. Legislative sessions included mortal threats, canings, flipped desks, and all-out slugfests. When debate broke down, members of Congress drew pistols and waved Bowie knives. One representative even killed another in a duel. Many were beaten and bullied in an attempt to intimidate them into compliance, particularly on the issue of slavery.

The Field of Blood is one of four books I purchased after my first One Day University class.

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One of the most important and blazingly original writers of his generation, George Saunders, is an undisputed master of the short story. The Tenth of December is his most honest, accessible, and moving collection yet. It is one of the New York Times’ 100 Best Books of the Century. The book is structured as a collection of short stories, each offering a unique and compelling narrative.

In the taut opener, “Victory Lap,” a boy witnesses the attempted abduction of the girl next door and is faced with a harrowing choice: Does he ignore what he sees or override years of smothering advice from his parents and act?

In “Home,” a combat-damaged soldier moves back in with his mother and struggles to reconcile the world he left behind with the one he has returned to.

In the title story, a stunning meditation on imagination, memory, and loss, a middle-aged cancer patient walks into the woods to commit suicide, only to encounter a troubled young boy who, throughout a fateful morning, gives the dying man a final chance to recall who he is.

An unfortunate, deluded owner of an antique store; two mothers struggling to do the right thing; a teenage girl whose idealism is challenged by a brutal brush with reality; a man tormented by a series of pharmaceutical experiments that force him to lust, to love, to kill—the unforgettable characters that populate the pages of Tenth of December are vividly and lovingly infused with Saunders’s signature blend of exuberant prose, deep humanity, and stylistic innovation.

Writing brilliantly and profoundly about class, sex, love, loss, work, despair, and war, Saunders cuts to the core of the contemporary experience. These stories take on the big questions and explore the fault lines of our morality, delving into what makes us suitable and what makes us human. They are not just stories but profound explorations that will stimulate your intellect and make you ponder.

Unsettling, insightful, and hilarious, the stories in Tenth of December—through their manic energy, their focus on what is redeemable in human beings, and their generosity of spirit—not only entertain and delight but also fulfill Chekhov’s dictum that art should “prepare us for tenderness.” The humor in these stories will keep you entertained and laughing, even as they delve into profound themes.

George Saunders is the author of thirteen books, including the novel Lincoln in the Bardo, which won the Booker Prize, and five collections of stories, including Tenth of December, which was a finalist for the National Book Award, and the recent collection Liberation Day (selected by former President Obama as one of his ten favorite books of 2022).

Three of Saunders’s books—Pastoralia, Tenth of December, and Lincoln in the Bardo—were chosen for The New York Times’s list of the 100 Best Books of the 21st Century. Saunders hosts the popular Story Club on Substack, which grew out of his book, A Swim in a Pond in the Rain. In 2013, he was named one of Time’s 100 Most Influential People. He teaches in the creative writing program at Syracuse University.

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Today, I started reading Annabelle Tometich‘s The Mango Tree: A Memoir of Fruit, Florida, and Felony. The Mango Tree is not just a memoir but a profoundly emotional family saga. It takes us through the complexities of Annabelle’s life, from her childhood in a house filled with balikbayan boxes, vegetation, and luscious mangoes to her journey from aspiring medical student to restaurant critic.

It is a tribute to her fellow Filipino Americans, her younger self, and the mango tree symbolizing her family. Above all, it is a heartfelt homage to Annabelle’s mother, Josefina, who carved out a life and a home without whom Annabelle would not be who she is.

When journalist Annabelle Tometich picked up the phone one June morning, she wasn’t expecting a collect call from an inmate at the Lee County Jail. And when she accepts, she certainly isn’t prepared to hear her mother’s voice on the other end of the line. However, explaining the situation to her younger siblings afterward was easy; all she had to say was, “Mom shot at some guy. He was messing with her mangoes.” They immediately understood. Answering the questions of the breaking news reporter—at the same newspaper where Annabelle worked as a restaurant critic––proved more difficult. Annabelle decided to go with a variation of the truth: it was complicated.

Thus commences The Mango Tree, a memoir that deftly weaves a tapestry of a mixed-race Filipina’s life in suburban Florida. Annabelle’s journey is not linear but a series of interconnected stories that delve into her upbringing, her father’s tragic demise, her mother’s longing for her homeland, and her quest for identity.

Today I read Can You Feel This? by Julie Orringer. This short story rekindled so many memories. In the chaos of a maternity ward, memories of tragedy and grief come flooding back for an anxious mother-to-be as she struggles to balance her child’s needs with her healing. Although Jan and I did not have the shadows of tragedy and grief when our sons were born, this short story was more than a page-turner. Can You Feel This? reminded me of the power of the love Jan and I shared.

When our second son was born, we almost had him at home or in the as we waited too long. In Can, You Feel This? , that was not the case. Both children had two loving parents but also grandparents.

When Jan had the first of several hospitalizations, she was in the hospital where her mother died. Jan told me her feelings, and I comforted her, but I could not fully comprehend her angst.

Can You Feel This? is part of Inheritance, a collection of five stories about secrets, unspoken desires, and dangerous revelations between loved ones. Each Inheritance piece can be read or listened to in a single setting. By yourself, behind closed doors, or shared with someone you trust. This is the second one in the series I have read. The previous one was Everything That my Mother Taught Me.

The Goodreads summary provides an overview,

Rushed into an emergency cesarean section, a woman finds herself in the same hospital where her suicidal mother died. She’s buried the trauma of her mother’s last hours—and also the dread that she might be just as vulnerable to breaking. As the new mother relives one crisis in the midst of another, prize-winning author Julie Orringer turns the joyous event of birth into a harrowing, poignant short story.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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I recently received a book from my family that combines two interests: walking and reading. The book, “In Praise of Walking” by Shane O’Mara, celebrates the joys, health benefits, and mechanics of walking. It emphasizes the importance of getting out of our chairs and discovering a happier, healthier, more creative self.

One of the most important insights I gained from this book is that walking can lead to mind wandering, focusing on autobiographical memory rather than the immediate environment. This realization helped me accept and appreciate Jan’s love and move forward with her passion.

The book also explores the significance of walking to our human identity. Walking upright has given us many advantages, including the freedom of our hands and minds. Walking has enabled us to spread worldwide and has many benefits for our bodies and minds, such as protecting and repairing organs, aiding digestion, and sharpening our thinking.

Overall, “In Praise of Walking” inspires us to start walking again and recognize its many benefits to our lives and societies.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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I receive a commission when you buy a book or product using a link on this page. Thank you for supporting Sharing Jan’s Love blog.